In this study, art historian Elizabeth Sutton reads the engravings of Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry and Dutch mercantilism.
Explores the neglected history of corporate cartography during the Dutch Golden Age, from circa 1600 to 1650. The author examines how maps were used as propaganda tools for the Dutch West India Company in order to encourage the commodification of land and an overall capitalist agenda.
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