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  • av Elizabeth Cleghorn Gaskell
    466,-

    Pero Edith se había quedado dormida. Estaba preciosa acurrucada en el sofá del gabinete de Harley Street con su vestido de muselina blanca y cintas azules. Si Titania se hubiese quedado dormida alguna vez en un sofá de damasco carmesí, ataviada con muselina blanca y cintas azules, podrían haber tomado a Edith por ella. Margaret se sintió impresionada de nuevo por la belleza de su prima. Habían crecido juntas desde niñas, y todos menos Margaret habían comentado siempre la belleza de Edith; pero Margaret no había reparado nunca en ello hasta los últimos días, en que la perspectiva de su separación inminente parecía realzar todas las virtudes y el encanto que poseía. Habían estado hablando de vestidos de boda y de ceremonias nupciales; del capitán Lennox y de lo que él le había explicado a Edith sobre su futura vida en Corfú, donde estaba destacado su regimiento; de lo difícil que era mantener un piano bien afinado (algo que Edith parecía considerar uno de los problemas más tremendos que tendría que afrontar en su vida de casada), y de los vestidos que necesitaría para las visitas a Escocia después de la boda. Pero el tono susurrado se había ido haciendo cada vez más soñoliento hasta que, tras una breve pausa, Margaret comprobó que sus sospechas eran ciertas y que, a pesar del murmullo de voces que llegaba de la sala contigua, Edith se había sumido en una plácida siestecilla de sobremesa como un suave ovillo de cintas, muselina y bucles sedosos.

  • av Elizabeth Cleghorn Gaskell
    250 - 316,-

    When her father has a crisis of conscious, Margaret Hale's life is turned upside down. Because her parents decide to move away from southern London, Margaret must leave behind the tranquil, rural life she's always known to settle in an industrial town called Milton. Though she does her best to assimilate, Margaret cannot help but feel trapped and hopeless in Milton, as she witnesses the brutal effects industrialization has on the environment and the individual. Used to fresh air and open spaces, Margaret notices the stark difference between her country home and Milton. While the air feels thick and the streets feel too crowded, Margaret's compassion is captured by the plight of the lower classes. Befriending many poor laborers, Margaret learns of the unsafe conditions they work in, while they are making pennies on the boss's dollar. While Margaret witnesses and supports her friends as they navigate toxic employer and worker relationships, she becomes involved in their struggles and gradually begins to brainstorm solutions. But when she meets John Thornton, a newly rich cotton mill owner, Margaret's loyalty is tested. Initially clashing with John because of his occupation and his opinions on workers, Margaret begins to slowly develop strong feelings for John, avoiding him when she can out of respect for her underprivileged working friends. But as tensions grow in Milton, Margaret realizes that she cannot hide from John forever, and that she must navigate her intense feelings for the man; is it contempt, or something more? With themes of class, social norms, and clashes between rural and urban environments, North and South is a sophisticated romance novel. Through the use of strong central characters and the set to the backdrop of the industrial revolution, Elizabeth Cleghorn Gaskell defies the tradition of romance, and portrayed topics left unexplored by other women of her time. First published in 1854, North and South features an entertaining narrative while providing valuable insight on the life and society of the 19th century Industrial Revolution in England. This edition of Elizabeth Cleghorn Gaskell's North and South is printed in a modern font and features a new, eye-catching cover design, making it both contemporary and accessible.

  • av Elizabeth Cleghorn Gaskell
    190 - 290,-

    Ruth is a young orphaned girl who works in a sweatshop. Mrs. Mason, Ruth's boss, runs the sweatshop in a respectable manner, earning a sterling reputation among her employees and society. However, the comfort and acclaim of Ruth's job is threatened when she attends a ball to repair any dresses that get torn during dancing. There, she meets an aristocratic man named Henry Bellingham, who is infamous for his immoral treatment of women and frivolous spending. Ruth, however, is blinded by his charm, and after they have another chance encounter, befriends the man. When they are spotted together, Ruth's reputation is at stake as rumors start to fly. Worried about the gossip harming her sweatshop Mrs. Mason fires Ruth, leaving her with nowhere to go. With no other viable options, Ruth accepts Henry's invitation to go to London. Now considered a fallen woman, Ruth's reputation seems to be in a state beyond repair, though, while she stays with Henry, she is protected by his privilege. Held to lower standards by society, Henry is slightly looked down on, but his wealth and gender protects him from actual consequence. Perhaps that is why he finds it so easy and acceptable to leave Ruth, stranding her in Wales with a small allowance and tarnished reputation. Hopeless and pregnant, Ruth slips into a deep despair. It is only at the mercy of a kind local family, the Benson's, that Ruth is able to continue living. With their help, Ruth creates a new alias and backstory to live under, and is able to get a job and start to rebuild her social status. However, when Henry makes a surprise return, and rumors start to grow once again, Ruth must overcome illness and social disgrace to provide a better life for her son, and for herself. With strong characterization and themes of morality, gender, and sexuality in Victorian society, Ruth by Elizabeth Cleghorn Gaskell provides a compelling glimpse into the hypocrisies of social expectations while depicting a moving narrative that captures both the audience's mind and heart. This edition of Ruth by Elizabeth Cleghorn Gaskell is now presented in an easy-to-read font and features a striking new cover design. With these accommodations, modern audiences are provided a lavish and accessible reading experience.

  • av Elizabeth Cleghorn Gaskell
    250 - 316,-

  • av Elizabeth Cleghorn Gaskell
    190 - 290,-

  • av Elizabeth Cleghorn Gaskell
    346,-

    North and South, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

  • av Elizabeth Cleghorn Gaskell
    290,-

    The Life of Charlotte Brontë - Volume 1, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

  • av Elizabeth Cleghorn Gaskell
    280,-

    The Life of Charlotte Brontë - Volume 2, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

  • av Elizabeth Cleghorn Gaskell
    146,-

    This best-known episodic book ''Cranford'' is written by an English author, Elizabeth Gaskell. It was first published as a series of articles in the magazine Household Words before being turned into a book with the working title Cranford and being on sale in 1853. The play gradually gained popularity, and at the turn of the 20th century, it received a variety of dramatic adaptations for the stage, radio, and television. A little Cheshire hamlet from Elizabeth Gaskell's upbringing served as the inspiration for her book Cranford. It was initially written as a short story, and it was released in 1851 under the title "Our Society in Cranford." She also authored Ruth, a three-volume book that was published in January 1853, during this time. The eight different titles were originally issued for the episodes that were discussed in Cranford. In the first, a society of women known as "Amazons" who live in affluent poverty are introduced. Being forced to host a visit from her cousin Major Jenkyns stresses out Matty. Mary Smith hires and trains Martha as a new maid. The Great Panic of Cranford (chapters 9-11). In order to take care of Signor Brunoni, where Lady Glenmire meets and marries him.

  • av Elizabeth Cleghorn Gaskell
    330,-

    Mary Barton, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

  • av Elizabeth Cleghorn Gaskell
    806 - 1 096,-

  • av Elizabeth Cleghorn Gaskell
    1 400 - 1 686,-

  • av Elizabeth Cleghorn Gaskell
    660 - 950,-

  • av Elizabeth Cleghorn Gaskell
    330 - 476,-

  • av Elizabeth Cleghorn Gaskell
    276 - 446,-

  • av Elizabeth Cleghorn Gaskell
    476 - 596,-

  • av Elizabeth Cleghorn Gaskell
    306 - 460,-

  • av Elizabeth Cleghorn Gaskell
    360 - 490,-

  • av Elizabeth Cleghorn Gaskell
    346 - 476,-

  • av Elizabeth Cleghorn Gaskell
    330 - 476,-

  • av Elizabeth Cleghorn Gaskell
    406 - 550,-

  • av Elizabeth Cleghorn Gaskell
    330 - 476,-

  • av Elizabeth Cleghorn Gaskell
    360 - 506,-

  • av Elizabeth Cleghorn Gaskell
    376 - 536,-

  • av Charlotte Bronte, Elizabeth Cleghorn Gaskell & Patrick Bronte
    406 - 550,-

  • av Charlotte Bronte, Elizabeth Cleghorn Gaskell & Patrick Bronte
    406 - 550,-

  • av Elizabeth Cleghorn Gaskell
    330 - 476,-

  • av Elizabeth Cleghorn Gaskell
    330 - 476,-

  • av Elizabeth Cleghorn Gaskell
    260 - 416,-

  • av Elizabeth Cleghorn Gaskell
    360 - 506,-

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