Böcker av Elliott Graeme

Ludwig van Beethoven is one of the most iconic figures in classical music and this memoir provides readers with a unique look into his life and work. Elliott Graeme shares personal insights into the composer's life, illuminating his struggles with deafness and his financial difficulties. Readers interested in classical music and the life of this important composer will find this memoir to be an enlightening read.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The following brief sketch can lay no claim to originality; it is merely a slight résumé of the principal events in the master's life (from the works of Schindler, Ries, and Wegeler, and more especially from Marx and Thayer), and is intended for those who, without the leisure to go deeply into the subject, yet desire to know a little more about the great Tone-poet than can be gathered from the pages of a concert programme, however skilfully annotated. The few letters introduced have been translated as nearly as possible in the manner in which they were written. Beethoven's epistolary style was simple, fervent, original, but certainly not polished. The author feels convinced that any shortcomings in the "Memoir" will be more than atoned for by Dr. Hiller's eloquent and appreciative "Festrede," which seems to have been dictated by that poetic genius, the possession of which he so modestly disclaims. The first edition of this little book was exhausted within a few months of publication, and I have repeatedly been asked since to reprint it, but have hitherto withheld my consent, trusting to be able to undertake a more comprehensive work on the subject. As, however, the necessary leisure for this is still wanting to me, and the demand for the "Memoir" continues, it is fated to reappear, and I can but commend it again to the kind indulgence of the reader. Several rectifications as to dates, &c., have been made throughout, in accordance with the recent researches of ALEXANDER THAYER, and the chapter entitled Lehrjahre has been partly rewritten on the basis of NOTTEBOHM'S Beethoven's Studien (Part I., Unterricht bei Haydn und Albrechtsberger) by far the most important contribution to Beethoven-literature which has appeared for some time. It may, indeed, be considered the first step to the systematic study of the Master, and as such deserves to be better known in England than is at present the case.

The book, Beethoven; A Memoir , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.