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Böcker av Emanuele Coccia

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  • av Emanuele Coccia
    296 - 726,-

  • - A Metaphysics of Mixture
    av Emanuele Coccia
    296 - 716,-

  • av Emanuele Coccia
    166,-

    A bedroom, a kitchen, a bathroom - are these rooms all that make a home? Not at all, argues Emanuele Coccia. The buildings we inhabit are of immense psychological and cultural significance. They play a decisive role in human flourishing and, for hundreds of years, their walls and walkways, windows and doorways have guided our relationships with others and with ourselves. They reflect and reinforce social inequalities; they allow us to celebrate and cherish those we love. They are the places of return that allow us to venture out into the world.In this intimate, elegantly argued account, Coccia shows how the architecture of home has shaped, and continues to shape, our psyches and our societies, before then masterfully leading us towards a more creative, ecological way of dwelling in the world.

  • av Emanuele Coccia & Alessandro Michele
    240,-

  • - Planetary Artists Venture into Risk, Unpredictability, and Transgression
    av Emanuele Coccia
    666,-

    The work of 38 established and emerging artists explore the creative potential of risk-taking and transgression in contemporary life

  • av Emanuele Coccia & Donatien Grau
    186 - 570,-

    "First published in language as Le musaee transitoire."

  • - Advertising, Urban Space, and the Moral Law of the Image
    av Emanuele Coccia
    410 - 1 160,-

    Claims advertising is nothing but a metaphysical hypothesis about the moral nature of things: objects aren't purely physical or economical entities. Any object, regardless of its nature, can become a complex of possible happiness--not just an object of value, but a moral source of perfection for any one of us.

  • - A Micro-ontology of the Image
    av Emanuele Coccia
    346 - 1 036,-

    This book is a rehabilitation sensibility. It defines what we call sensibility or sensible life by defining the ontological status of images. It shows that images have an intermediate ontological status and exist in an autonomous sphere. It also explores our interactions with images in dream, fashion and language.

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