Genre Publics is a cultural history showing how new notions of 'the local' were produced in context of the Indonesian 'local music boom' of the late 1990s. Baulch shows how this music helped reshape distinct Indonesian senses of the modern, especially as 'Asia' plays an ever more influential role in defining what it means to be modern.
An ethnographic exploration of identity politics in three of Balis musical subcultures-reggae, punk, and death metal-during the 1990s.
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