Considers how a culture of crisis management - what the author calls "the new chronic" - has come to dominate various aspects of contemporary life, from biomedicine to economics to politics. This title unravels the logic of the new chronic where people find themselves suspended in a space between life and death.
Looking at a hundred-year history of film and capitalism, this title theorizes a cultural history that illuminates the spaces where film and the nation transcend their customary borders, where culture and capital crisscross - and in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.
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