Gellar-a reluctant scream queen whose oeuvre skews toward horror-and the traumas of her characters echo in the abuse, violence, and shame of the speaker's childhood and adolescence. Queer readers will innately understand this alchemy of fandom and pain, the way in which we come to understand "what is this world but bruises."
Like Sartre's Nausea gives intention and personality to external reality, in Eye, Apocalypse, Fuhrer brings the Apocalypse to the kitchen table.
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