Böcker av Erika Doss

Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá'í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.

This text explains why Elvis Presley is an enduring image in American popular culture. It demonstrates the power of pictures in visual culture and reveals much about American attitudes toward religion, sex, race and celebrity, and the construction of American identity in the late 20th century.

In the past few decades, thousands of memorials have dotted the American landscape. This title argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express - and claim - those issues in visibly public contexts.

In The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials Erika Doss examines this contemporary phenomenon of public commemoration in terms of changed cultural and social practices regarding mourning, memory, and public feeling.