Addresses several questions, ranging from dilemmas in feminist aesthetic theory to the politics of suffering and democratic theory. This volume introduces feminists to Adorno's work and Adorno scholars to modes of feminist critique. It is useful for senior undergraduate and graduate courses in contemporary political, social, and cultural theory.
Readings of Hegel, Nietzsche, Benjamin, Adorno, and Heidegger trace the role that the discourse on the end of art has played in post-Hegelian philosophical aesthetics.
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