In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
Sartre and Ric¿ur have never been compared in detail before, as hermeneutics and existentialism have been wrongly pitted against each other. The Aesthetics of Autonomy demonstrates that an existential hermeneutics overcomes the respective limitations of each philosopher and gives us the necessary tools of seeking autonomy in an age of uncertainty, which is the globalized world.
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