Böcker av Federico García Lorca

For the first time in a quarter century, a major new volume of translations of the beloved poetry of Federico García Lorca, presented in a beautiful bilingual editionThe fluid and mesmeric lines of these new translations by the award-winning poet Sarah Arvio bring us closer than ever to the talismanic perfection of the great García Lorca. Poet in Spain invokes the "wild, innate, local surrealism" of the Spanish voice, in moonlit poems of love and death set among poplars, rivers, low hills, and high sierras. Arvio's ample and rhythmically rich offering includes, among other essential works, the folkloric yet modernist Gypsy Ballads, the plaintive flamenco Poem of the Cante Jondo, and the turbulent and beautiful Dark Love Sonnets-addressed to Lorca's homosexual lover-which Lorca was revising at the time of his brutal political murder by Fascist forces in the early days of the Spanish Civil War. Here, too, are several lyrics translated into English for the first time and the play Blood Wedding-also a great tragic poem. Arvio has created a fresh voice for Lorca in English, full of urgency, pathos, and lyricism-showing the poet's work has grown only more beautiful with the passage of time.

Federiko García Lorca [federíko garsía lórka], naskita en 1898 kaj murdita en 1936 de hispanaj faŝistoj, provizis la mondliteraturon per aparte belaj kaj insistaj impresoj trafluataj de lia hejma Andaluzio. Jen pli ampleksa reeldono de la broŝuro aperinta en la jaro 1968 en Moskvo.

My heartbrims with billowsand minnowsof shadows and silverBeautiful, brutal, strange and lovely: this is Lorca reborn, in a selection of previously unpublished pieces and masterful new translations.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York''s underground scene to the farthest reaches of outer space.

A viscerally modern adaptation of Lorca's seminal drama, transposing the formidable matriarch Bernarda and her imprisoned family to the gangland communities of Glasgow's East End. Faithfully preserving Lorca's sense of boiling tension and impending tragedy, this adaptation brings a classic text thrillingly up to date.

Written at the height of Lorca's theatrical powers, these three tradgedies display his innovative mix of Spanish popular tradition and modern dramtic technique. They focus on the lives of passionate individuals, particularly women, trapped by the social conventions of peasant communitie

Blood Wedding by Federico Garcia Lorca is a classic of Spanish literature, the tragedy of a woman loved by two men. Lorca has a searing realization of the power of desire. Brendan Kennelly rises to the challenge of how to convey this in an English translation, in language at once soaring and accurate, wild and precise. His version of Blood Wedding reveals the mysterious, intricate, passionate, and truly astonishing nature of Lorca's masterpiece.

Gypsy Ballads is the best-known book of poems by the greatest Spanish literary figure of the 20th century. This new bilingual edition brings Lorca's verse both to the general reader and the student, illuminated by photos and illustrations of and by Lorca, his own reflections on the poem and introductory notes by leading Lorca scholars.

This selection has been the introduction for generations of American readers to the mesmerizing poems of Federico Garcia Lorca (1898-1937). Lorca is admired the world over for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. Most of all, Lorca's poems are admired for their beauty. Undercurrents of his major influences - Spanish folk traditions of his native Andalusia and Granada, gypsy ballads, and surrealists Salvador Dali and Luis Buñuel - stream throughout Lorca's work.

Federico García Lorca's position as one of the few geniuses of the modern theatre was firmly established in the English-speaking world with his Three Tragedies. Here, with an introduction by the dramatist's brother, Francisco García Lorca, are five of his "comedies," in the authorized translations, extensively revised to reflect recent Lorca scholarship and to convey the sparkle, freshness, and magic of the original Spanish. The Shoemaker's Prodigious Wife tells of a young beauty married to an old man, a theme that often concerned Lorca. The resolution for the earnest shoemaker, who leaves home and comes back disguised as a puppeteer, is lighthearted, but there is underlying pathos. The Love of Don Perlimplin is again about a girl who weds someone much older, this time a bookish, 18th-century gentleman, who seeks an original but sardonic way out of the situation. According to Lorca himself, "Dona Rosita is the outer gentleness and inner scorching of a girl in Granada who, little by little, turns into that grotesque and moving thing - an old maid in Spain."

Federico Garcia Lorca called The Public "the best thing I've written for the theater." Yet, he acknowledged, "this is for the theater years from now." Now, half a century later, The Public and another of Lorca's most daring works, Play without a Title, are available in English translation for the first time. Surrealism, folk theater, poetry, vivid costumes, black humor--in the The Public, dramatic traditions are ransacked to develop themes as timely in the 1980s as they were taboo when Lorca was writing: if Romeo were a man of thirty and Juliet a boy of fifteen, would their passion be any less authentic? No, says a young observer of the play within the play, "I who climb the mountain twice each day and, when I finish studying, tend an enormous herd of bulls that I've got to struggle with and overpower at every instant, I don't have time to think about whether Juliet's a man or a woman or a child, but only to observe that I like her with such a joyous desire." In both The Public and Play without a Title, the player himself is of as much consequence as the role he plays. The fierce, stark Play without a Title, with its cast of Author, Prompter, Stagehand in the wings, and hecklers in the gallery, clearly heralds developments in today's avant-garde theater. It also reflects the violence of the times in which it was written. As Carlos Bauer notes in his introduction, neither of the plays in this volume was complete in 1936, when Lorca was assassinated by Franco's forces. Still, both have here the unity and grace of finished tours de force.

Lorca's tragic tale of the destruction of Bernarda Alba's family following the death of her husband. This Student Edition includes a commentary, chronology, notes and bibliography.

The volume chronicles how in their poetic skirmishes they sharpened and shaped each other's work - Garcia Lorca defending his verses of absence and elegy and his love of tradition while Dali argued for his theories of "Clarity" and "Holy Objectivity" and the unsettling logic of Surrealism.

Features a poem expressing tortured feelings of alienation and dislocation. This book also offers translations of the poet's letters as well as a lecture he gave about this work. It is illustrated with archive photographs.

One of Spain's greatest and most well-loved poets, Lorca is admired for the emotional intensity and dark brilliance of his work. From the playful "Suites" to his dark vision of urban life, "Poet in New York", his range was remarkable. This title provides versions by various poets and translators, drawing on books of poems published by Lorca.

After her husband's death, Bernarda Alba forces her five daughters into eight years of strict mourning. The appearance of Pepe El Romano, a man who wishes to marry the eldest daughter, Angustias, unleashes a series of tragic events.

Bodas de sangre is arguably the best-known work by the most celebrated of all twentieth-century Spanish writers. A passionate story of family feud and tragic elopement is played out in the setting of a poor country village, building up to a dramatic ending full of the intensely poetic symbolism characteristic of Lorca. -- .

In "Yerma", the second of his trilogy of rural dramas, Lorca charts the increasingly destructive obsession of a childless young country wife, and probes the darker zones of human fears and desires. The Spanish text is supported by an introduction and critical notes in English.

This collection includes two of Lorca's most notorious late works, "The Public", his only openly homosexual drama and "Play without a Title", set in the world of the theatre, as well as the historical folk play "Mariana Pineda".

This is the second collection of five plays by the Spanish dramatist (1898-1936) who was murdered by Spanish Nationalists in 1936.

Blood Wedding. Concerned with love that cannot become marriage among the primitive hill people of Castile, this is a play of the workings of tremendous passions and tribal ritual toward an inescapable tragic end. Yerma. "The whole tragic burden of Yerma is measured by the deepening of her struggle with the problem of frustrated motherhood." -From García Lorca, by Edwin Honig. The House of Bernarda Alba. Again about "women whom love moves to tragedy," Bernarda Alba tells of the repression of five daughters by a domineering mother, of how their natural spirits circumvent her but bring violence and death.