Böcker av Frances Hodgson Burnett

"Sometimes since I've been in the Garden I've looked up through the trees at the sky and I have had a strange feeling of being happy as if something was pushing and drawing in my chest and making me breathe fast. Magic is always pushing and drawing and making Things out of nothing. Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us. In this garden - in all the places."

随着妇女的受教育程度的提高，她是一个有良好血统和良好教育的妇女。她的亲戚寥寥无几，他们都不打算让自己的身无分文负担沉重。他们是一家人，他们的家庭非常出色，但是他们要做的足够多，可以让儿子留在军队或海军中，为女儿寻找丈夫。当艾米丽的母亲去世，她的小年金也和她一起去世时，他们都没有想要照顾一个大生骨的女孩，艾米丽对此情况坦率地向她解释了。她从18岁起就开始在一所小学校担任助理老师。她接任托儿所的第二年；那时她一直在诺森伯兰郡与一位不愉快的老妇一起读书。这位老太太住在乡下，她的亲戚像秃v一样盘旋在她身上，等待着她的病逝。这个家庭阴郁而令人毛骨悚然，以至于使任何一个没有最诚实，最真实的性情的女孩陷入了忧郁的疯狂之中。艾米莉-福克斯-塞顿 拥有永不磨灭的美好天性，但实际上，这实际上在情妇的胸中唤醒了一丝人情味。当那名老太太死后，艾米丽被放逐到世界上时，事实证明，她留下了几百磅的遗产，并在信中包含了一些相当实际的建议（如果严厉表达的话）。

没有人知道航天飞机何时开始从岸到岸缓慢而沉重的编织，它是由命运的一臂之力握住并引导的。 仅命运就看到了网络编织的意义，网络的威力以及在创造世界历史中的地位。 人们只是想着用网或织造，而很少考虑，用别的名字和较轻的名字来称呼它们，这一次，他们不知道在跨越数千英里的跳跃，起伏，灰色或蓝色海洋中所穿线的强度。没有人知道航天飞机何时开始从岸到岸缓慢而沉重的编织，它是由命运的一臂之力握住并引导的。 仅命运就看到了网络编织的意义，网络的威力以及在创造世界历史中的地位。 人们只是想着用网或织造，而很少考虑，用别的名字和较轻的名字来称呼它们，这一次，他们不知道在跨越数千英里的跳跃，起伏，灰色或蓝色海洋中所穿线的强度。

In Connection with the DeWilloughby Claim is an unchanged, high-quality reprint of the original edition of 1899.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Sara Crewe; Or, What Happened at Miss Minchin's Boarding School, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

A delightful stage adaptation of Frances Hodgson Burnett's enduring tale of transformation and healing through nature.

The Lost Prince, has been considered important throughout human history. In an effort to ensure that this work is never lost, we have taken steps to secure its preservation by republishing this book in a modern format for both current and future generations. This complete book has been retyped, redesigned, and reformatted. Since these books are not scans of the authors' original publications, the text is readable and clear.

Cuando Mary Lennox se fue a vivir con su tío a Misselthwaite Manor, todos decían que era una niña de aspecto muy desagradable; y era cierto. En su cara delgada se reflejaba una expresión amarga. Su cuerpo era flaco y pequeño; su pelo, de color amarillo, era fino y escaso; su rostro era también pálido, quizás porque había nacido en la India, en donde, por una razón u otra, enfermaba continuamente. Su padre había sido empleado del gobierno inglés y sus obligaciones eran innumerables. Su madre, una mujer de gran belleza, sólo se preocupaba de asistir a las más alegres fiestas. Ella no quería tener una niña; por eso, cuando Mary nació, la entregó al cuidado de una aya a quien dio a entender que, para servir bien a la Mem Sahib debía mantenerla alejada de su presencia. Así, esta niña irritable, débil y feúcha estuvo siempre lejos de su madre. Ella sólo recordaba haber visto a su alrededor las caras morenas de su aya y de los demás sirvientes hindúes. Estos, para que no llorara o molestara a la Mem Sahib, la obedecían y le daban gusto en todo. De esta manera, al cumplir los seis años, Mary se había convertido en un ser tiránico y egoísta. La joven institutriz inglesa contratada para enseñarle a leer y escribir le tomó tal antipatía que a los tres meses dejó su trabajo. Otro tanto ocurrió con las institutrices que la sucedieron, y si a Mary no le hubiera interesado verdaderamente saber lo que contenían los libros, ni siquiera habría aprendido a leer. Tenía casi nueve años cuando una mañana de intenso calor la niña despertó muy malhumorada. Se enfadó aún más al ver a su lado a una sirvienta que no era su aya.

The Secret Garden is a novel by Frances Hodgson Burnett first published in book form in 1911, after serialisation in The American Magazine. Set in England, it is one of Burnett's most popular novels and seen as a classic of English children's literature. Several stage and film adaptations have been made. The dominant theme of The Secret Garden is healing. Both Mary Lennox and Colin Craven transform from sickly, friendless, and self-absorbed children to physically and mentally healthy ones. This book can be read by anyone over 9, advanced readers at around 7 or 8. The Secret Garden is about a particularly arrogant and unpleasant girl called Mary Lennox.

When Mary Lennox begins living with her uncle in the English countryside, she feels bored and lonely. Before long, however, she discovers many mysteries hiding within the walls of the estate. What will it take for Mary to unearth these secrets? This unabridged edition of the beloved twentieth-century classic is perfect for young readers' libraries.

A collectible edition of Frances Hodgson Burnett's beloved children's classic, with enchanting illustrations by Charles Robinson

Frances Hodgson Burnett wrote a book titled Little Lord Fauntleroy. From November 1885 to October 1886, it was published as a serial in St. Nicholas Magazine. In 1886, Scribner's (St. Nicholas' publisher) published it as a book. When Burnett prevailed in a legal battle against E. V. Seebohm in 1888 for the rights to stage adaptations of the work, the novel established a precedent in copyright law, setting fashion trends with the illustrations by Reginald B. Birch. The Anglo-French surname Fauntleroy, which conveys the idea of being spoiled and pampered, is ultimately derived from Le enfant le Roy ("child of the king"). It is derived more closely from the Middle English version of defect from infant, which means child or infant. As a legitimate surname, it has been used since the 13th century. The Earl intended to impart aristocratic values to his grandson. Cedric instructs his grandfather instead on the virtue of having compassion for others who are reliant upon him. The Earl matures into the person Cedric had always mistakenly assumed him to be. Cedric is delighted to be reunited with his mother and Mr. Hobbs, who chooses to remain to assist in caring for Cedric.