In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, this title explores the 'nonobject' - a notion exemplified by paintings that do not seek to represent observable surroundings.
* Francois Jullien is a philosopher with a specialist knowledge of China and Chinese thought. He uses Chinese thought as a mirror to reflect on the West and as an invitation to think about difference and otherness. * This book focuses on the idea of the universal and analyses different ways of thinking about it.
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