Frederick Burwick reveals how from the 1790s to 1830s the most volatile developments in British drama took place in the industrial provinces where the melodrama of the wicked villain lusting after his innocent victim was modified to represent the factory owner exploiting his workers with long hours and low wages.
Compiles 70 of the key terms most frequently used or discussed by authors of the Romantic period and most often deliberated by critics and literary historians of the era.
From 1780 to 1830 theatres were rebuilt and expanded to accommodate larger audiences. Acting styles and plays themselves evolved to meet the expectations of the new audiences. Including eye-witness accounts by theatre-goers and critics, this book traces the radical changes in acting, stage design, and the new forms of drama.
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