Böcker av Gabriel Fauré

Gabriel Faure relate son propre voyage au Mont-Blanc avec détails et poésie. Il décrit l'ascension de la montagne emblématique avec sa beauté et ses défis, tout en offrant une vue sur la vie dans les Alpes du XIXe siècle.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A beautiful and evocative travelogue that captures the sights and sounds of Italy, through the eyes of a talented artist and writer.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Here are 7 melodies by Gabriel Faure transcribed for the saxophone (Bb and Eb). The author has chosen to also present the texts in order to soak up their poetry. CONTENTS: Mai (poesie de Victor Hugo) ; Lydia (poesie de Charles-Marie Leconte de Lisle) ; Tristesse (poesie de Theophile Gautier) ; Les Berceaux (poesie de Rene-Francois Sully Prudhomme) ; Au bord de l'eau (poesie de Rene-Francois Sully Prudhomme) ; Dans les ruines d'une abbaye (poesie de Victor Hugo) ; La Chanson du pecheur (poesie de Theophile Gautier).

Simples notions sur les changes étrangers / par Gabriel FaureDate de l'édition originale: 1911Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Die beiden Originalstücke Faurés für Flöte und Klavier - die Fantaisie op.79 und Morceau de lecture (Sarabande) - erscheinen hier im Urtext neben Arrangements andererWerke, die entweder bekannte orchestrale Flötensoli enthalten oder besonders gut für die Flötegeeignet sind. Der Unterschied zwischen diesen Transkriptionen und Faurés Original-Flötenstücken ist weniger klar umrissen, als es zunächst den Anschein haben mag. Nicht nurstehen Auszüge aus der Fantaisie neben der Sicilienne in Faurés Bühnenmusik zu Pelléas etMélisande (in beiden Fällen mit einer Soloflöte), sondern die Sicilienne liegt auch in mehrerenanderen lnstrumentalbearbeitungen Faurés vor. Über die Pavane weiß man, daß Fauré neben derOrchesterversion mit Soloflöte und Chor ad libitum eine Klavierfassung mit oder ohneFlötenobligato bzw. Sänger (siehe unten) aufgeführt hat. Diese Anpassungsfähigkeit ist einintegralet Bestandteil französischer Musik, und das Wesentliche dabei ist - wie Ravel bemerkt hat-, daß der gute Geschmack gewahrt bleibt.

This is an unabridged digitally-enhanced reprint of the vocal score that was prepared by the composer with assistance from his student Jean Roger-Ducasse and published by J. Hamelle & Cie. in 1900. Measure numbers have been added along with a table of contents and instrumentation. The large (A4) format is extremely easy to read for singers, choruses and pianists. This is Faure's final version the Requiem, whose accompaniment was expanded to full symphony orchestra from the original version for organ and chamber ensemble. This version received its premiere on July 12, 1900 in Paris' Trocadéro auditorium with the voices, chorus and orchestra conducted by Paul Taffanel. It is the version that is by far the most widely performed and recorded, and performed at the composer's funeral in 1924. The matching large conductor score and orchestral parts are also available from Serenissima Music.