*Performing Presence: Between the Live and the Simulated* proposes that the advent of new media forms, and the increasing integration of contemporary performance and media has generated new engagements, practices and understandings of presence.
An investigation of the interface between theatre, performance and digital arts, this text not only allows for a reinterpretation of what is possible in the world of performance practice, but also demonstrates how "virtuality" has come to represent a major parameter for our understanding and experience of contemporary art and life.
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