Böcker av George Elliott Clarke

In Zanzibar, in 2008, George Elliott Clarke began to write his "Canticles," an epic poem treating the Transatlantic Slave Trade, Imperial and colonial conquest, and the resistance to all these evils. That is the subject of Canticles I (MMXVI) and (MMXVII). In Canticles II (MMXIX) and (MMXX), Clarke rewrites significant scriptures from an oral and "African" or "Africadian" perspective. Now, in Canticles III (MMXXII) and (MMXXIII), Clarke shifts focus--from world history and theology -- to the specific history and bios associated with the creation of the African ("Africadian") Baptist Association of Nova Scotia. By so doing, he concludes the most remarkable epic ever essayed in Canadian letters -- an amalgam of Pound and Walcott -- but entirely and inimitably his own.

In Whiteout: How Canada Cancels Blackness, his new and essential collection of essays, George Elliott Clarke exposes the various ways in which the Canadian imagination demonizes, excludes, and oppresses Blackness. Clarke's range is extraordinary: he canvasses African-Canadian writers who have tracked Black invisibility, highlights the racist bias of our true crime writing, reveals the whitewashing of African-Canadian perspectives in universities, and excoriates the political failure to reckon with the tragedy of Africville, the once-thriving, "Africadian" community whose last home was razed in 1970. For Clarke, Canada's relentless celebration of itself as a site of "multicultural humanitarianism" has blinded White leaders and citizens to the country's many crimes, at home and abroad, thus blacking out the historical record. These essays yield an alternate history of Canada, a corrective revision that Clarke describes as "inking words on snow, evanescent and ephemeral."

In a time of malevolent righteousness, often described as Cancel Culture, J'Accuse is an essay-in-poetry by Canada's Parliamentarian Poet Laureate emeritus that responds to the impacts of being 'cancelled'.

From Toronto's poet laureate (2012-15) comes a new book that is a tour de force in confessional verse. This autobiographical sequence in 980 lines contains 70 stanzas of "skeletal sonnets" composed, astonishingly, in one day and one evening.

Governor General's Award-winning author George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues its relevance to both African Diasporic and Canadian Studies and critiques several of its key creators and texts.

Directions Home explores the trajectories and tendencies of African-Canadian literature within the Canadian canon and the socio-cultural traditions of the African Diaspora.

In his unique brand of spoken-word African poetry, the incomparable George Elliott Clarke explores a personal subject: his great-aunt Portia White, operatic contralto. The result is a stirring, epic poem vibrating with energy and music that spans WhiteΓÇÖs birth in 1911, a coming of age amidst the backdrop of two World Wars, and her life-long love affair with musicΓÇöfrom singing in to directing the Cornwallis Street Baptist Church choir to her bel canto tutlege at the Halifax Conservatory of Music to her final, commanding performance before Her Majesty Queen Elizabeth II in 1964. ''Portia White'' is a stunning testament to the first African Canadian to become an international star. Features vibrant illustrations by contemporary artist Lara Martina.

The debut collection of children's poetry from renowned poet and playwright George Elliott Clarke, with bold and contemporary illustrations from Susan Tooke.

Chronicles a love affair between a man and a woman of different complexions, cultures, continents, and generations, Sonia Fuentes of Andorra and Luca Xifona of Canada. She is Spanish in heritage; and he is Maltese. She is a Boomer and he is of Generation Y-Not. The poetry consists mainly of unrhymed - or blank - sonnets.

George Elliott Clark draws from this disturbing chapter in Canadian history in his first novel, brilliantly reimagining the lives - and deaths - of the two brothers.