George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment. Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and connections across racial, ethnic, and gender divisions.
By restoring interracial dimensions left out of accounts of the Harlem Renaissance-or blamed for corrupting it-George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.
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