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Böcker av Georges Didi-Huberman

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  • av Georges Didi-Huberman
    330,-

    Forrenowned art historian Georges DidiHuberman, artist James Turrell is aninventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and earlytwentyfirst century, Turrell uses as his medium the most elemental material ofsight and art: light.

  • av Georges Didi-Huberman
    306,-

    "Originally published in French as Survivances des lucioles, copyright 2009 by Les aEditions de Minuit . . . Paris"-- Verso title page.

  • av Georges Didi-Huberman
    596,-

    A look at Aby Warburg and his great work Mnemosyne Atlas.

  • - Site, Contact, Thought, Sculpture
    av Georges Didi-Huberman
    306,-

    Georges Didi-Huberman is a lecturer at the Ecole des hautes etudes en sciences sociales in Paris. He has published over 20 books on art history and philosophy including Fra Angelico: Dissemblance and Figuration (1995) and Confronting Images: Questioning the Ends of A Certain History of Art (2009). He is also the recipient of the 2015 Adorno PrizeDrew S. Burk has translated works by thinkers such as François Laruelle, Gilbert Simondon, and Fernand Deligny. He lives in Minneapolis, MN.¿

  • - Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art
    av Georges Didi-Huberman
    556 - 1 160,-

    Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.

  • - Four Photographs from Auschwitz
    av Georges Didi-Huberman
    390,-

    Of one-and-a-half-million photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. This book reveals that these photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance.

  • - Questioning the Ends of a Certain History of Art
    av Georges Didi-Huberman
    556,-

    Presents arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky.

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