Charles Dickens' views on class and race have, in the past, been misread. This book does not exonerate him from charges of racism, but examines his changing imaginative engagement with the empire and his complex attitude toward the racial other at key stages of personal, national and global significance.
These stories are based on episodes and materials from my personal life, and are widely varied. Most are set in Montreal, between 1967 and 2012, while a few are set in Newfoundland, and 1 is set in Africa. They are about women, men, children, politics and community, and the conflicts, as well as the harmony, that arise from all of these.
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