Böcker av Greg Olson

Greg Olson (author of David Lynch: Beautiful Dark and former film curator at the Seattle Art Museum) deconstructs Twin Peaks's widely acclaimed return to TV in 2017 through a unique lens encompassing William Blake, Walt Whitman, Jean Cocteau, Philip K. Dick, the color pink, the Bible, Vedic literature, and Marvel superheroes.David Lynch is an international icon of visionary artistic innovation, humanistic thought and philanthropy, and spiritual exploration, and Twin Peaks: The Returnis his magnum opus, a mythopoetic summation of his deepest beliefs and concerns. In Black Coffee Lightning: David Lynch Returns to Twin Peaks, Greg Olson (David Lynch: Beautiful Dark), in his characteristically intimate and personal way, traces the Twin Peakscurrents of Lynch’s emotional-visceral storytelling, themes, imagery, and sound: the way the artist and viewer share an electrified circuit of mystery and understanding. Olson details Lynch’s kinship with transcendence-seeking artists like William Blake, Walt Whitman, Jean Cocteau, Philip K. Dick, and the post-World War II mystical Northwest painters. Small-town values, coffee culture, the color pink, the Bible, Vedic literature, Marvel Comics superheroes, and a Parisian camera crew wanting Olson to guide them through Twin Peaks territory all make appearances.   Over a thirty-year span, Lynch and Mark Frost created forty-eight hours of Twin Peaks TV and film, hypnotic cinematic music immersed in the depths and divine heights of human nature, a soulful song of the forest, America, the world, the cosmos. Olson, Lynch, and Twin Peaks have been on parallel tracks for decades. Olson’s longtime love, Linda Bowers, died shortly before Twin Peaks: The Return aired, and his lived experience with Lynch’s art speaks to the healing power of artistic engagement. Here his chronicle includes personal interaction with Lynch and Frost and their colleagues, as well as Olson’s perception of Lynch's inner world of karmic balancing, reincarnation, spiritual evolution, and veneration of women.

Offers a complex and nuanced picture of the Ioways' efforts to retain their tribal identity within the constrictive boundaries of the Great Nemaha Agency. Drawing on diaries, newspapers, and correspondence from the agency's files and Presbyterian archives, Olson offers a compelling case study in US colonialism and Indigenous resistance.

For nearly 40 years, David Lynchs works have enthralled, mystified, and provoked viewers. Lynchs films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the directors unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynchs life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter.To fully delineate the directors life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmakers works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.