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Böcker av Gustave Flaubert

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  • av Gustave Flaubert
    381

    Par un chaud dimanche d'été, près du bassin du port de l'Arsenal, sur le boulevard Bourdon, à Paris, deux promeneurs, Bouvard et Pécuchet, se rencontrent par hasard sur un banc public et font connaissance. Ils s'aperçoivent qu'ils ont eu tous deux l'idée d'écrire leur nom dans leur chapeau : « Alors ils se considérèrent. ». Tombés sous le charme l'un de l'autre, Bouvard et Pécuchet découvrent que non seulement ils exercent le même métier de copiste, mais qu'en plus ils ont les mêmes centres d'intérêt.

  • av Gustave Flaubert
    221

  • av Gustave Flaubert
    271 - 407

    Salammbo (1862) is a historical novel by Gustave Flaubert. It is set in Carthage during the 3rd century BC, immediately before and during the Mercenary Revolt which took place shortly after the First Punic War. Flaubert's main source was Book I of Polybius's Histories. The novel jumpstarted a renewed interest in the history of the Roman Republic's conflict with the North African Phoenician colony of Carthage.Contemporary readers familiar with Flaubert's previous realistic work, Madame Bovary, were shocked and in some instances appalled by the indiscriminate violence and sensuality prevalent throughout the novel, which is why, notwithstanding the praise it received for its style and story, Salammbô remains controversial in literary circles to this day. Nevertheless, it was a massive best-seller, sealing the author's reputation as one of the most prominent French writers of the 19th century. It was even said that Flaubert's descriptions of Carthaginian costume influenced contemporary fashions. Since then, however, the novel has fallen into obscurity in much of the Anglophone world. (wikipedia.org)

  • av Gustave Flaubert
    287 - 421

    Madame Bovary, originally published as Madame Bovary: Provincial Manners (French: Madame Bovary), is the debut novel of French writer Gustave Flaubert, published in 1856. The eponymous character lives beyond her means in order to escape the banalities and emptiness of provincial life.When the novel was first serialized in Revue de Paris between 1 October 1856 and 15 December 1856, public prosecutors attacked the novel for obscenity. The resulting trial in January 1857 made the story notorious. After Flaubert's acquittal on 7 February 1857, Madame Bovary became a bestseller in April 1857 when it was published in two volumes. A seminal work of literary realism, the novel is now considered Flaubert's masterpiece, and one of the most influential literary works in history. The British critic James Wood writes: "Flaubert established, for good or ill, what most readers think of as modern realist narration, and his influence is almost too familiar to be visible." Long established as one of the greatest novels, the book has been described as a "perfect" work of fiction. Henry James wrote: "Madame Bovary has a perfection that not only stamps it, but that makes it stand almost alone: it holds itself with such a supreme unapproachable assurance as both excites and defies judgment." Marcel Proust praised the "grammatical purity" of Flaubert's style, while Vladimir Nabokov said that "stylistically it is prose doing what poetry is supposed to do". Similarly, in his preface to his novel The Joke, Milan Kundera wrote, "not until the work of Flaubert did prose lose the stigma of aesthetic inferiority. Ever since Madame Bovary, the art of the novel has been considered equal to the art of poetry." Giorgio de Chirico said that in his opinion "from the narrative point of view, the most perfect book is Madame Bovary by Flaubert". Julian Barnes called it the best novel that's ever been written.The novel exemplifies the tendency of realism, over the course of the nineteenth century, to become increasingly psychological, concerned with the accurate representation of thoughts and emotions rather than of external things. In this way it precedes the French novelist Marcel Proust and the twentieth-century apotheosis James Joyce. (wikipedia.org)

  • av Gustave Flaubert
    337 - 407

  • av Gustave Flaubert
    311

    Ce livre est un recueil de trois nouvelles: Un coeur simple, Légende de Saint Julien l'Hospitalier et Hérodias. Celui-ci témoigne d'une grande puissance d'évocation, qu'il s'agisse du portrait psychologique de Félicité dans 'Un coeur simple', de la violence des actes de Saint Julien, ou de l'atmosphère surchargée jusqu'au vertige d'Hérodias.

  • av Gustave Flaubert
    301

  • av Gustave Flaubert
    91

    Félicité is a French maid who is devoted to helping her mistress and her two children navigate their new life following her husband¿s untimely death. Despite her lack of formal skills, Félicité is an endearing figure who brings warmth and stability into their lives.In nineteenth century France, Félicité works as a loyal housemaid to her mistress, Madame Aubain. She tends to her two children and is a constant source of support for the family. Félicité is a hard worker whose reputation precedes her. She¿s known for her kindness, compassion and morals. Despite her tragic upbringing, Félicité manages to find joy in every part of her life. A Simple Soul is a testament to her faith, resilience and enduring spirit.A Simple Soul is a character-driven novella that highlights the ups and downs of a meek existence. Félicité is a pure soul who makes the most of what she has and shares what she can. This story is a celebration of unsung heroes who work in the shadows but are never given their due.With an eye-catching new cover, and professionally typeset manuscript, this edition of A Simple Soul is both modern and readable.

  • av Gustave Flaubert
    391

    Emma Rouault, fille d¿un riche fermier, a été élevée dans un couvent. Elle rêve d¿une vie mondaine comme les héroïnes romantiques des romans qüelle dévore et dans lesquels elle se réfugie pour rompre l¿ennui. Mais en devenant l¿épouse de Charles Bovary, qui malgré de laborieuses études de médecine, n¿est qüun simple officier de santé, Emma se retrouve plongée dans une vie monotone à laquelle elle ne s¿attendait pas. Emma parviendra-t-elle à donner du sens à son existence ?

  • av Gustave Flaubert
    181

  • av Gustave Flaubert
    181

  • av Gustave Flaubert
    257

  • av Gustave Flaubert
    191

  • av Gustave Flaubert
    101

  • av Gustave Flaubert
    301

  • av Gustave Flaubert
    181

    Lorsque que Flaubert a écrit cette ¿uvre, il etait dans une période difficile de sa vie, et c'est pour cela que ses contes sont pessimistes. Les histoires sont très différentes : La Légende de Saint Julien l'Hospitalier est en partie un souvenir de la comptemplation des vitraux de l'eglise de Caudebec en Normandie et de la Cathédrale de Rouen. En effet ce conte provient des souvenirs de la vie de Gustave Flaubert : avec Un c¿ur simple, Flaubert retrouve sa Normandie natale et l'histoire d'Hérodias est le voyage en Orient pendant la jeunesse de Flaubert.

  • av Gustave Flaubert
    151 - 261

  • av Gustave Flaubert
    277

  • av Gustave Flaubert
    277

  • av Gustave Flaubert
    257

  • av Gustave Flaubert
    257

    Ema Bovari është një vajzë provinciale që lexon shume libra romantikë dhe ka marrë një formim konservator në manastir. Për shkak të letërsisë romantike që lexonte, Ema bën zgjedhjet e gabuara në jetë, humbet lidhjet me realitetin dhe shndërrohet në një viktimë të pasioneve të saj, të cilat e orientojnë drejt aventurave të pafundta. Ema dëshiron ndryshimin në jetën e saj, por problemi qëndron me faktin se ajo është heroinë pasive: nuk vepron vetë për të dalë nga monotonia, por varet prej personazheve të tjerë.Në kohën që u shkrua romani shoqëria franceze kalonte një krizë shoqërore, ekonomike, psikologjike, morale dhe filozofike. Romani ka si qëllim të demaskojë vlerat false të shoqërisë, moralin hipokrit të saj, kotësinë e letërsisë romantike dhe influencën negative të saj. Romani është vepër realiste që shquhet për pasuri të vëzhgimeve të jetës dhe psikologjisë së shoqërisë së kohës për vërtetësinë e fakteve, për përgjithësimin e madh artistik që i bëhet fenomenit Ema.

  • av Gustave Flaubert
    241 - 331

  • av Gustave Flaubert
    177

  • av Gustave Flaubert
    161

    Throughout his life Flaubert made it a game to eavesdrop for the cliché, the platitude, the borrowed and unquestioned idea with which the "right thinking" swaddle their minds. After his death his little treasury of absurdities, of half-truths and social lies, was published as a Dictionnaire des idées reçues. Because its devastating humor and irony are often dependent on the phrasing in vernacular French, the Dictionnairewas long considered untranslatable. This notion was taken as a challenge by Jacques Barzun. Determined to find the exact English equivalent for each "accepted idea" Flaubert recorded, he has succeeded in documenting our own inanities. With a satirist's wit and a scholar's precision, Barzun has produced a very contemporary self-portrait of the middle-class philistine, a species as much alive today as when Flaubert railed against him.

  • av Gustave Flaubert
    121

  • av Gustave Flaubert
    641

  • av Gustave Flaubert
    371

    Emma Bovary é uma leitora ávida. Criada no campo e educada em um convento, nutre sonhos ambiciosos, inspirados pela burguesia e romance dos livros. Decidida a buscar novos horizontes, se casa com Charles, um médico interiorano apaixonado pela esposa, mas carecido de ambições. O casal acaba se mudando para outra província, a nova rotina não atinge as expectativas de Emma, tornando-a cada dia mais infeliz e a passividade do marido a entedia. Desejando aventuras requintadas, ela começa a procurar sua satisfação em outras personalidades.

  • av Gustave Flaubert
    167

    Adieu, mon ami, mon cher ami ! Je ne vous reverrai jamais ! C'était ma derniere démarche de femme...Et elle le baisa au front comme une mere...Elle défit son peigne ; tous ses cheveux blancs tomberent.Elle s'en coupa, brutalement, a la racine, une longue meche.- Gardez-les ! adieu !Quand elle fut sortie, Frédéric ouvrit sa fenetre. Mme Arnoux, sur le trottoir, fit signe d'avancer a un fiacre qui passait. Elle monta dedans. La voiture disparut.Et ce fut tout.

  • av Gustave Flaubert
    247

    Gustave Flaubert: Die Versuchung des heiligen Antonius. Übersetzt und mit einem Vorwort und vierzehn Holzschnitten versehen von Hermann Lismann»La Tentation de saint Antoine« Erstdruck: Paris, 1874. Hier in der Übersetzung von Hermann Lismann, München, Berlin, Leipzig, Verlag für praktische Kunstwissenschaft F. Schmidt, 1921.Neuausgabe.Herausgegeben von Karl-Maria Guth.Berlin 2022.Der Text dieser Ausgabe wurde behutsam an die neue deutsche Rechtschreibung angepasst.Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Joos van Craesbeeck, Die Versuchungen des heiligen Antonius, um 1650.Gesetzt aus der Minion Pro, 11 pt.Henricus - Edition Deutsche Klassik GmbH

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