In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
The third volume of this sweeping series covers the period of the Islamic Revolution and its immediate aftermath. Naficy details the destruction of Irans movie theaters by Revolutionaries, the attempts of amateur and professional filmmakers to capture the action of the Revolution on film in real time, and the post-Revolutionary consolidation of the film industry.
Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
The first of 4 volumes in the definitive history of Iranian fil.
Offers an overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. This book offers global coverage of the genre of Accented cinema while presenting a framework in which to understand its intricacies.
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