Böcker av Hannah Khalil

Every time I've tried to make this dish there's been something missing. It hasn't been quite right. But now I think I know what it is. The missing piece. I'm almost sure. Today is the day. I'll get this recipe right. I have to. For them. What would you take if you were forced to leave home with no hope of returning? How would you make a fresh start somewhere completely new? This is the true story of one woman who loses everything. Remembering the tastes and aromas of her mother's kitchen with live cooking on stage, she recreates the dishes of her childhood and homeland, building a new life and community around food. Written by award-winning Hannah Khalil from the story by Atoosa Sepehr, the life-affirming My English Persian Kitchen chronicles the journey of one woman's quest to start again. This edition was published to coincide with the world premiere Soho Theatre and Traverse Theatre co-production in 2024.

Friendship makes us fresh.And doth beget new courage in our breasts.A new play for young people and schools, created from Shakespeare's works.In this wood of words, a band of newcomers arrive to witness banishments, storms, unhappy endings, reunions, and murder most foul... and try to make sense of it all. This unique and thoughtful adaptation for young performers of several of Shakespeare's works is co-written by director Chris White and award-winning playwright Hannah Khalil, in honour of the 400th anniversary of the First Folio this year.The Wood of Words was created as part of the Associate Schools Programme (the RSC's long term partnership programme with schools and theatre partners). This edition was published to coincide with the Playmaking Festival at the RSC, in July 2023.

Hakawati Noun: Storyteller. From the Arabic terms 'hekaye' meaning story and 'haki' meaning to talk.A tyrant revenges his wife's infidelity by wedding, bedding and beheading a new bride every day. Years later, only five brides-in-waiting remain.These women are unapologetic, and united in their fight to keep themselves - and the whole of womankind - alive. They've got other ideas for their future, and it starts with a story...This fearless new play, a co-production with Tamasha, is written by Globe Resident Writer Hannah Khalil. This edition is published to coincide with the world premiere at the Globe Theatre, London, in December 2022.

"After William Shakespeare and John Fletcher."

This is the first ever collection of plays by Palestinian-Irish playwright Hannah Khalil; the first woman of Arab heritage to have a main-stage play at the RSC. It encompasses a decade's worth of plays exploring her Arab heritage, drawing on family histories as well as significant events in the Arab World. They were all written during a period that included the end of the war in Iraq, the intensification of the occupation of Palestine and the birth and disillusion of the so called Arab Spring. The plays included are set in both a historical and modern context. They include a feminist take on 1001 nights and the Scheherazade story; an exploration of Gertrude Bell, the Museum in Baghdad and Britain's role in the birth of the Iraq; plus two plays looking at the Palestinian experience, one based on a family living through the creation of the State of Israel in 1948, the other an epic collage that moves in time from 1948 to present day. This anthology also includes a radio play set in Dubai and a monologue about the power and legacy of artefacts. It's notable that these plays offer a plethora of non-stereotypical roles for actors of Arab heritage. Through the six plays included the reader can trace a variety of approaches to storytelling, a host of memorable characters and some unforgettable stories. Plays include:Plan DScenes from 73* Years A NegotiationMuseum in BaghdadLast of the Pearl FishersHakawatis

I'm his mother. A mother knows things - feels them. When her child isn't well. Isn't happy.The kitchen of a suburban house. A mother and daughter raise a child in the most normal way possible following the departure of a family member.Tensions rise as the pair skirt around issues that underpin their co-dependency, proving that what goes on inside a relationship is never clear to the people outside.This searing new play by award-winning writer Hannah Khalil is published in Methuen Drama's Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.

I haven't hurt anyone, killed, raped, murdered - I just ran away - came here to be safe. But I'm locked up. I just - I can't believe this is England.They have run away from unimaginable horrors looking only for safety. But, imprisoned together at Yarl's Wood Dentention Centre, these women are stuck in a limbo that offers them exactly the opposite. Based on verbatim interviews from current and former detainees, The Scar Test takes you inside one of England's migrant detention centres, exposing the conditions the inmates must endure whilst awaiting a decision on their fate. Told with compassion, Hannah Khalil's play throws a spotlight on the harrowing ordeals of the female migrants seeking refuge in Britain and the obstacles they face in the process.Published to coincide with its 2017 London and regional tour, The Scar Test originally debuted in 2015 with Untold Arts company.

What are we doing then? Come on, lets go - all of us, lets tell everyone in the street, its too late we've lost, all the years of hardship, being murdered, imprisoned, having your homes taken, your jobs, your fields, your olives, your ability to move from one place to another - everything you have endured has been for nothing. They'vewon. So let's just leave it to them, disappear. It's what they want. You are doing what they want. You are an educated young Palestinian man. We need you here. Stay.Scenes from 68 Years is a selection of intertwined vignettes telling the story of ordinary Palestinians at a very human level with mischievous humour. It offers snapshots of the routine of life in the shadow of occupation: we look into an Israeli household with a rebellious pro-Palestinian teenager, join a tediously long queue at an Israeli check point, and get swept into an absurd act of civil disobedience by Palestinian civilians in a desperate attempt to get worldwide media attention. Scenes from 68 Years was selected from 100 scripts by the Arcola Theatre and the play received its world premiere at the Arcola Theatre on 5 April 2016 in a production by Sandpit Arts.