Böcker av Hector Berlioz

This choral work by renowned composer Hector Berlioz is a stunning example of French Romantic music. The piece showcases the power and beauty of the human voice, and is a must-listen for fans of classical music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This captivating memoir takes readers on a grand tour through some of Europe's most vibrant and exciting cities. From the romance and beauty of Italy to the grandeur of Russia, the author provides a firsthand account of the people, places, and experiences that shaped his life and fueled his passion for music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Cette correspondance entre Berlioz et Tiersot couvre une période cruciale de l'histoire musicale française, avec des détails sur l'oeuvre de Berlioz et ses contemporains. Les lettres comprennent des commentaires sur les représentations musicales, les critiques et les événements culturels de l'époque.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Un opéra en trois actes inspiré de la vie tumultueuse du célèbre orfèvre et sculpteur italien Benvenuto Cellini.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gluck and His Operas is a classic study of one of the most important composers of the late 18th century. Written by the renowned French composer Hector Berlioz and translated into English by Edwin Evans, this book offers insights into Gluck's life, work, and musical philosophy. It also provides detailed analyses of his most important operas, including Orfeo ed Euridice and Iphigénie en Aulide. With its clear writing, insightful commentary, and detailed musical analyses, Gluck and His Operas is a must-read for anyone interested in the history of music and opera.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Découvrez la correspondance fascinante entre le célèbre compositeur Hector Berlioz et la princesse Carolyne Sayn-Wittgenstein. Dans ces lettres, Berlioz révèle ses pensées les plus profondes sur la musique, l'art et l'amour. Les amateurs de musique classique seront fascinés par ce témoignage unique de l'esprit créatif de Berlioz.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dieses Buch bietet eine detaillierte Anleitung zur Instrumentation von Orchesterwerken. Hector Berlioz bietet eine umfassende Anleitung zur Auswahl und Verwendung von Instrumenten in Orchesterwerken und bietet Einsichten in seine eigene Methodik und Denkweise.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Title: La Damnation de Faust, H. 111Composer: Hector BerliozOriginal Publisher: CostallatThe complete French language vocal score to La Damnation de Faust, H. 111, by Hector Berlioz, as originally published by Costallat in 1911.Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

"Voyage Musical en Allemagne et en Italie" est un ouvrage écrit par le compositeur français Hector Berlioz. Publié en 1844, ce livre relate ses voyages à travers l'Allemagne et l'Italie en tant que jeune musicien. Berlioz décrit ses expériences, ses observations sur la musique, les artistes et la culture musicale de ces pays, offrant des réflexions profondes et des commentaires sur la musique, les compositeurs et les traditions musicales rencontrées au cours de ses périples. Cet ouvrage est apprécié pour sa combinaison d'anecdotes personnelles, d'analyses musicales et d'observations sur les scènes musicales européennes de l'époque.

Les "Mémoires" de Hector Berlioz sont un récit autobiographique écrit par le compositeur français Hector Berlioz. Publiées pour la première fois en 1870, ces mémoires retracent la vie, la carrière musicale et les expériences de Berlioz en tant que compositeur et chef d'orchestre.Berlioz, célèbre pour ses compositions novatrices et ses écrits critiques sur la musique, offre dans ses mémoires une perspective personnelle sur son développement musical, ses influences artistiques, ses collaborations et ses luttes professionnelles. Il partage également des détails sur sa vie personnelle, ses relations et les défis auxquels il a été confronté en tant qu'artiste.Les "Mémoires" de Berlioz sont considérées comme une source importante pour comprendre la vie et la musique du compositeur romantique français du XIXe siècle, fournissant des informations précieuses sur son époque, son parcours artistique et son héritage musical.

"Les Soirées de l'orchestre" est un recueil de nouvelles d'Hector Berlioz, publié en 1852. L'¿uvre offre une plongée captivante dans la vie d'un orchestre, dépeignant avec verve et imagination foisonnante des anecdotes des coulisses. Berlioz présente un mélange de récits humoristiques et satiriques, offrant un regard perspicace sur le monde musical de l'époque. Chaque nouvelle explore des thèmes variés, allant des rivalités entre musiciens aux caprices des divas, en passant par les défis rencontrés par les chefs d'orchestre. À travers ces récits, Berlioz offre une vision vivante et colorée du monde de la musique, tout en dévoilant les coulisses souvent méconnues des représentations orchestrales. "Les Soirées de l'orchestre" est une ¿uvre incontournable pour les amateurs de musique classique, offrant un aperçu unique et divertissant de la vie musicale du 19e siècle.

On a donné hier soir Don Juan à l'Opéra. Je ne viens pas en faire l'analyse. Dieu m'en garde! Trop de savants critiques, musiciens, poètes, ou à la fois poètes et musiciens (comme Hoffmann par exemple) se sont exercés sur ce vaste sujet, de manière à ne rien laisser à glaner après eux. Je me bornerai à émettre quelques idées générales à propos de cette étonnante production toujours jeune, toujours forte, toujours à l'avant-garde de la civilisation musicale, lorsque tant d'autres, dont l'âge n'égale pas la moitié du sien, gisent déjà, cadavres oubliés dans les fossés du chemin, ou mendient des suffrages d'une voix cassée qu'on écoute à peine. Quand Mozart l'écrivit, il n'ignorait pas que le succès d'une ¿uvre pareille serait lent, et que peut-être même il ne serait pas donné à l'auteur de le voir. Il disait souvent, en parlant de Don Juan: «Je l'ai fait pour moi et quelques amis.» Mozart avait raison de n'espérer que l'admiration du petit nombre de musiciens avancés de son époque. La froideur de la masse du public devant le monument musical qu'il venait d'élever le prouva bien. Aujourd'hui même, si la supériorité de Mozart ne trouve pas en France de contradicteurs, c'est moins dans un sentiment réel du peuple dilettante qu'il en faut voir la cause, que dans l'influence exercée sur lui par l'opinion constamment la même des artistes distingués de toutes les nations; opinion qui a fini par passer dans l'esprit de la foule comme un dogme religieux sur lequel la controverse n'est point permise, et dont il serait criminel de douter.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.