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Böcker av Henrik Ibsen

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  • av Henrik Ibsen
    297 - 577

  • av Henrik Ibsen
    267 - 577

  • av Henrik Ibsen
    176 - 621

    Hedda is an intelligent and ambitious woman, trapped in the stifling environment of a bourgeois 19th-century marriage. When writer Eilert Loevborg, an old flame returns to Hedda's life with a masterpiece that might threaten her husband's career, Hedda decides to take drastic and fatal action.

  • av Henrik Ibsen
    181 - 227

    Should the truth be pursued whatever the cost? The idealistic son of a wealthy businessman seeks to expose his father's duplicity and to free his childhood friend from the lies on which his happy home life is based.

  • av Henrik Ibsen
    247

    "Here is the greatest account ever written of the destructiveness of missionary zeal. Gregers Werle enters the house of photographer Ekdal preaching 'the demands of idealism' (a nicely ambiguous phrase in Hampton's translation) and systematically destroys a family's happiness"--Page 4 of cover.

  • av Henrik Ibsen
    201

  • av Henrik Ibsen & Christopher Hampton
    201

  • av Henrik Ibsen, Edvard Grieg & Roman Benedict
    281

  • av Henrik Ibsen
    317 - 641

  • av Henrik Ibsen
    291 - 621

  • av Henrik Ibsen
    317 - 597

  • av Henrik Ibsen
    271 - 611

  • av Henrik Ibsen
    377 - 697

  • av Henrik Ibsen
    307 - 621

  • av Henrik Ibsen
    121

  • av Henrik Ibsen
    241

    A play by critically acclaimed and prize-winning playwright, Shelley Silas, this original and funny play explores cultural traditions and clashes.

  • av Henrik Ibsen
    287

  • av Henrik Ibsen
    137 - 261

  • av Henrik Ibsen
    137

  • av Henrik Ibsen
    277

    A Doll's House made Henrik Ibsen world famous; the play is still Ibsen's most popular and one of his most acclaimed. Frequently called the first feminist play, A Doll's House is a fierce critique of Victorian society's conduct toward women. The play revolves around the lives of Nora and Torvald Helmer. Nora is treated as a juvenile, foolish woman by her husband. In reality Nora has been secretly working odd jobs to pay back the money she borrowed when Torvald was ill. This selfless act saved Torvald's life. Nora borrowed the money from her father's bank by a forged signature and has been plagued with the fear of Torvald discovering her secret. When Torvald discovers the existence of the loan he berates Nora, calling her a deceitful and corrupt woman and telling her she is unfit to raise their children. He says that he will stay married only to maintain appearances. Nora realizing that Torvald's love has always been conditional on her maintaining a traditional role as wife and mother decides that she must leave to find out who she is and what to make of her life.

  • av Henrik Ibsen
    297

  • av Henrik Ibsen
    241

  • av Henrik Ibsen & Ibsen Henrik Ibsen
    297

  • av Henrik Ibsen, Henrik Johan Ibsen & Ibsen Henrik Ibsen
    281 - 327

  • av Henrik Ibsen
    137

  • av Henrik Ibsen & Walter Wykes
    201

  • av Henrik Ibsen
    281

  • av Henrik Ibsen
    241

    David Eldridge's new version of Henrik Ibsen's penultimate play, produced at the Donmar Theatre in February 2007.

  • av Henrik Ibsen & Amelia Bullmore
    157 - 257

    Ghosts is published to coincide with the Gate Theatre's production of Amelia Bullmore's new translation of Ibsen's classic.

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