Böcker av Henrik Ibsen

A Doll's House made Henrik Ibsen world famous; the play is still Ibsen's most popular and one of his most acclaimed. Frequently called the first feminist play, A Doll's House is a fierce critique of Victorian society's conduct toward women. The play revolves around the lives of Nora and Torvald Helmer. Nora is treated as a juvenile, foolish woman by her husband. In reality Nora has been secretly working odd jobs to pay back the money she borrowed when Torvald was ill. This selfless act saved Torvald's life. Nora borrowed the money from her father's bank by a forged signature and has been plagued with the fear of Torvald discovering her secret. When Torvald discovers the existence of the loan he berates Nora, calling her a deceitful and corrupt woman and telling her she is unfit to raise their children. He says that he will stay married only to maintain appearances. Nora realizing that Torvald's love has always been conditional on her maintaining a traditional role as wife and mother decides that she must leave to find out who she is and what to make of her life.

David Eldridge's new version of Henrik Ibsen's penultimate play, produced at the Donmar Theatre in February 2007.

Ghosts is published to coincide with the Gate Theatre's production of Amelia Bullmore's new translation of Ibsen's classic.

Specially commissioned to celebrate the 10th anniversary of Southwark Playhouse, Samuel Adamson's new version of A Doll's House brings zest to this classic play.4 women, 4 men

This selection of Henrik Ibsen's most famous works includes: "Hedda Gabler," "Ghosts," "An Enemy of the People," "A Doll's House," "The League of Youth," "The Wild Duck," and "Peer Gynt."

Pillars of Society by Henrik Ibsen ACT I. (SCENE.--A spacious garden-room in the BERNICKS' house. In the foreground on the left is a door leading to BERNICK'S business room; farther back in the same wall, a similar door. In the middle of the opposite wall is a large entrance-door, which leads to the street. The wall in the background is almost wholly composed of plate-glass; a door in it opens upon a broad flight of steps which lead down to the garden; a sun-awning is stretched over the steps. Below the steps a part of the garden is visible, bordered by a fence with a small gate in it. On the other side of the fence runs a street, the opposite side of which is occupied by small wooden houses painted in bright colours. It is summer, and the sun is shining warmly. People are seen, every now and then, passing along the street and stopping to talk to one another; others going in and out of a shop at the corner, etc. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

A new Penguin edition of Ibsen's two great verse plays, in masterful versions by one of our greatest living poets, Geoffrey Hill. These two powerful and contrasting verse dramas by Ibsen made his reputation as a playwright. The fantastical adventures of the irrepressible Peer Gynt - poet, idler, procrastinator, seducer - draw on Norwegian folklore to conjure up mountains, kidnappings, shipwrecks and trolls in an exuberant examination of truth and the self; while Brand, an unsparing vision of an idealistic priest who lives by his steely faith, explores free will and sacrifice. This volume brings together the poet Geoffrey Hill's acclaimed stage version of Brand with a new poetic rendering of Peer Gynt, published for the first time.This Penguin edition includes an interview with Geoffrey Hill about recreating Ibsen in English, an introduction by Janet Garton and editorial materials by Tore Rem.

Ibsen's forensic examination of a marriage as it falls apart, in a version by Richard Eyre. How is a life well-lived? Alfred Allmers comes home to his wife Rita and makes a decision. Casting aside his writing, he dedicates himself to raising his son. But one event is about to change his life forever. Little Eyolf was first performed in 1894. This new version, adapted and directed by Richard Eyre, premiered at the Almeida Theatre, London, in 2015. The third in a trilogy of revelatory Ibsens, Little Eyolf follows Richard Eyre's multi-award-winning adaptations of Ghosts (Almeida, West End and BAM, New York), and Hedda Gabler (Almeida and West End).

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Ibsen's seminal play, which changed modern drama, is a searing view of a male-dominated and authoritarian society, presented with a realism that elevates theatre to a level above mere entertainment. The reverberations of Nora's slamming the door as she leaves Torvald continue to the present day. Plays for Performance Series.

The four plays in this volume, written late in Ibsen's career as a dramatist, move away from his earlier preoccupation with people at odds with society to instead explore the inward struggle with their own thoughts, feelings and dreams. The Master Builder (1892) depicts a powerful man whose illusions collapse in the face of a young woman's courageous common sense. In Rosmersholm (1886), an idealist is forced to question his beliefs and confront terrible truths about the past, while Little Eyolf (1894) portrays a man's self-deception, which brings both tragic repercussions for his family and new hope for their future. And in John Gabriel Borkman (1896), a dying woman returns to reclaim the affections and loyalty of her nephew, resulting in a bitter struggle with her sister.

A Doll's House/Ghosts/Pillars of the Community/An Enemy of the People'Our home has never been anything other than a play-house. I've been your doll-wife here, just as at home I was Daddy's doll-child'These four plays established Ibsen as the leading figure in the theatre of his day, sending shockwaves throughout Europe and beyond. A Doll's House scandalized audiences with its free-thinking heroine Nora. Ibsen's even more radical follow-up, Ghosts, exposes family secrets and sexual double-dealing, while Pillars of the Community and An Enemy of the People both explore the hypocrisy and the dark tensions at the heart of society. This new translation, the first to be based on the latest critical edition of Ibsen's works, offers the best version available in English.A new translation by DEBORAH DAWKIN and ERIK SKUGGEVIK With an Introduction by TORE REM General Editor TORE REM

The strongest man in the world is he who stands most alone.Dr Stockmann attempts to expose a water pollution scandal in his home town which is about to establish itself as a spa. When his brother conspires with local politicians and the newspaper to suppress the story, Stockmann appeals to a public meeting - only to be shouted down and reviled as 'an enemy of the people'. Ibsen's explosive play reveals his distrust of politicians and the blindly held beliefs of the masses. Christopher Hampton's version of Ibsen's classic was first staged at the National Theatre, London, in 1997.

In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.