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  • av Henry Duff Traill
    460,-

    Traill's collection of essays on the state of fiction in the late 19th century is a fascinating glimpse into the literary world of the time. With incisive analysis and witty commentary, Traill offers a compelling perspective on the art of storytelling.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Henry Duff Traill
    296 - 446,-

  • av Henry Duff Traill
    336,-

  • av Henry Duff Traill
    350 - 486,-

  • av Henry Duff Traill
    350 - 486,-

  • av Henry Duff Traill
    336 - 460,-

  • - being a batch of political and other fugitives arrested and brought to book
    av Henry Duff Traill
    350,-

  • av Henry Duff Traill
    596,-

  • av Henry Duff Traill
    526 - 540,-

  • av Henry Duff Traill
    396,-

  • av Henry Duff Traill
    336,-

  • av Henry Duff Traill
    270,-

  • av Henry Duff Traill
    646,-

    Henry Duff Traill (1842-1900) was a prolific journalist, satirist and author. The son of a magistrate, he was called to the Bar in 1869 but began working as a journalist at the Yorkshire Post soon afterwards. He contributed to several newspapers, acting as chief political leader writer at The Daily Telegraph from 1882 to 1897 and editing The Observer for two years. He later became the editor of Literature, holding this post until his death. Among his diverse published works were six biographies, of which the most in-depth was that of Arctic explorer Sir John Franklin. Published in 1896 and drawing on personal documents provided by the Franklin family, it provides a picture of Franklin's character and personal life, alongside a detailed account of his career. Written fifty years after Franklin's presumed death, this work also covers the aftermath of his final ill-fated voyage in search of a north-west passage.

  • av Henry Duff Traill
    356,-

    Lawrence Sterne (1713-69) was an Anglican clergyman best remembered as the author of the satirical and highly influential novel The Life and Opinions of Tristram Shandy, Gentleman. After his ordination in 1738, Sterne led the life of a country vicar in Yorkshire, publishing a few satirical works before his masterpiece, which emerged in nine volumes between 1759 and 1767. The first two volumes were an immediate success, bringing him wealth, fame, and a place at the heart of contemporary English literary society. This work, published in the first series of English Men of Letters in 1882 by the journalist (and editor of Carlyle) Henry Duff Traill (1842-1900), provides a clear and informative biography. Drawing on Sterne's detailed letters to his daughter, Traill provides a fascinating account of Sterne's early life and his clerical career together with an analysis of his writing and influence upon English literature.

  • av Henry Duff Traill
    416,-

    The publication in 1798 of Lyrical Ballads, written by William Wordsworth and Samuel Taylor Coleridge (1772-1834), is considered to be the starting point of the Romantic movement. Published in the first series of English Men of Letters in 1884, this biography by H. D. Traill (1842-1900), who also wrote on Sterne for the series, sets Coleridge's work within the context of his troubled childhood, his travels, and the depression and financial crises that plagued his life. The first writer to attempt a detailed account of Coleridge's life and work - which ranged from poetry, journalism and literary criticism to history, philosophy and theology - Traill admits to some difficulty in tracing source material, particularly as Coleridge's theological and philosophical writings were largely incomplete, and remained unpublished at his death. Nonetheless he reveals something of both the writer and also the man famously described by Lamb as 'an Archangel a little damaged'.

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