Böcker av Ian Campbell

This book follows on from book one but which is aimed specifically for Left Handed ukulele players, who have little or no knowledge of music but who have always wanted to play a musical instrument.

This book investigates the connections between knowledge production and policy formation on the Kazak steppes of the Russian Empire. Tsarist officials were desperate to obtain reliable information about the unfamiliar environment and population of the steppe. This thirst for knowledge created opportunities for Kazak intermediaries to represent themselves and their environment to the tsarist state. Because tsarist officials were uncertain of what the steppe was, and disagreed on what could be made of it, Kazaks were able to be part of these debates, at times influencing the policies that were pursued. By the early 20 th century, though, the tsarist state's pursuit of a policy of mass peasant colonization of the steppe region closed this space for debate. The same local knowledge that Kazak intermediaries had used to negotiate tsarist rule became, with this, a language of resistance.

This is a story that describes how Kathy and Ian first met then fell in love, and how their love grew. It goes on to tell the stories of their lives together and apart.It covers their shared experiences, along with their families and friends. Most of all it tells the story of their love for each other, that they continued to share. It also tells of the things that Kathy's families and friends have learnt from Kathy over the years they have known her. It has been written with respect for Kathy and her memory.

Who will you be? Richard III? Lady Anne? Buckingham? A ghost!?!Richard III like you have never experienced it before: quick, fun, and easy to understand. Designed for 6-17+ actors, kids, families, or anyone who wants to enjoy and perform Shakespeare''s classic play.Richard III for Kids is a play versatile enough for sibling fun, classes, drama groups, homeschool groups, or backyard performances. It''s appropriate and fun for all ages! Plays range from 15 to 25 minutes. Which character will your kids be?!What you will get: Fun! 3 hilarious modifications for group sizes: 6-9 9-12 12-17+ Actual lines from Shakespeare''s play highlighted for easy identification Creatively funny and witty telling of the remaining script A delightfully funny rendition that is easy for ADULTS to understand too! A kid who loves Shakespeare!This mini-melodramatic masterpiece is sure to spark a love of Shakespeare. Shakespeare is difficult enough in class or watching onstage, let alone trying to teach the stories to children, but as the author''s mantra states in the book, "there is no better way to learn than to have fun! "Kids who have read this have also eventually purchased the entire Shakespeare works, and have completed ''hero'' reports on Shakespeare at school. Guaranteed to have you coming back for more!

The words that accompany our experience of and thinking about death are rarely uplifting: grief, loss, mourning, and, of course, fear. Death and everything surrounding it can be terrifying. People fear death. People fear dying. People fear missing out. People fear the loss of others, too. The loss of a loved one is undoubtedly a source of fear for many. The fear and sorrow bound up in the term "death" make it a morbid subject. Often, the topic is avoided in conversation. Death is too melancholic. Death is too miserable. Death is too personal. Death can be personal, of course. The ways it affects oneself can be intimate and, by virtue of its closeness, it can be a thoroughly private matter. Death is personal when it is one's own death, perhaps one's contemplation of or attempt at suicide, or the death of someone known and/or loved. Death has a part to play in our past, our present, and (unavoidably) our future. Death is an omnipresent possibility. Hidden in the wings, death waits for its cue before the final curtain call. All of us await this death and it is the future of us all. The death described here is one that almost everyone will be familiar with: the end of a life. However, there is another death. A second death. An impersonal death. A depersonalised, dispossessed, ungraspable death - that death is the focus of this thesis.

In this sweet children's story about courage and helping others, Billy Bog Brush learns how much fun it can be to be a hero!

This book traces the roots of Arabic science fiction through classical and medieval Arabic literature, undertaking close readings of formative texts of Arabic science fiction via a critical framework developed from the work of Western critics of Western science fiction, Arab critics of Arabic science fiction and postcolonial theorists of literature. Ian Campbell investigates the ways in which Arabic science fiction engages with a theoretical concept he terms "double estrangement" wherein these texts provide social or political criticism through estrangement and simultaneously critique their own societies' inability or refusal to engage in the sort of modernization that would lead the Arab world back to leadership in science and technology.

This book traces the roots of Arabic science fiction through classical and medieval Arabic literature, undertaking close readings of formative texts of Arabic science fiction via a critical framework developed from the work of Western critics of Western science fiction, Arab critics of Arabic science fiction and postcolonial theorists of literature. Ian Campbell investigates the ways in which Arabic science fiction engages with a theoretical concept he terms "double estrangement" wherein these texts provide social or political criticism through estrangement and simultaneously critique their own societies' inability or refusal to engage in the sort of modernization that would lead the Arab world back to leadership in science and technology.

This book is aimed at beginners hoping to learn how toplay the ukelele quite quickly, but it might also be usefulfor intermediate players to review their basic knowledge.The main purpose of this book is to help the absolutebeginner play some basic chord progressions assoon as possible and to encourage you not to give up toosoon.

Examines how the elite in early modern Ireland spoke about human societies and human bodies, and demonstrates that this elite discourse was grounded in a commitment to the languages and sciences of Renaissance Humanism -- .

The USA 1917-1941 looks at the history of the United States of America from the First World War to the entry of America into the Second World War in 1941, focusing on the boom-time years of the Roaring Twenties, the Wall Street Crash and the Great Depression, and Roosevelt's New Deal.