Dr Woodfield brings iconographic evidence and an interesting approach to this study of the viol which will be of interest to musicologists, iconographers, organologists and viol players.
A groundbreaking new approach proposes answers to many of the opera's unresolved questions.
Until relatively modern times, musicians relied upon patrons to fund their music - social savoir-faire was as important as technical proficiency when attracting wealth. This volume provides a reassessment of Salomon's uneven career as a violinist in London during the 1780s.
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