Böcker av Jack London

John Claverhouse was a moon-faced man. You know the kind, cheek-bones wide apart, chin and forehead melting into the cheeks to complete the perfect round, and the nose, broad and pudgy, equidistant from the circumference, flattened against the very centre of the face like a dough-ball upon the ceiling. Perhaps that is why I hated him, for truly he had become an offense to my eyes, and I believed the earth to be cumbered with his presence. Perhaps my mother may have been superstitious of the moon and looked upon it over the wrong shoulder at the wrong time. Be that as it may, I hated John Claverhouse. Not that he had done me what society would consider a wrong or an ill turn. Far from it. The evil was of a deeper, subtler sort; so elusive, so intangible, as to defy clear, definite analysis in words. We all experience such things at some period in our lives. For the first time we see a certain individual, one who the very instant before we did not dream existed; and yet, at the first moment of meeting, we say: "I do not like that man." Why do we not like him? Ah, we do not know why; we know only that we do not. We have taken a dislike, that is all. And so I with John Claverhouse.

The dominant primordial beast was strong in Buck, and under the fierce conditions of trail life it grew and grew. Yet it was a secret growth. His newborn cunning gave him poise and control. He was too busy adjusting himself to the new life to feel at ease, and not only did he not pick fights, but he avoided them whenever possible. A certain deliberateness characterized his attitude. He was not prone to rashness and precipitate action; and in the bitter hatred between him and Spitz he betrayed no impatience, shunned all offensive acts. On the other hand, possibly because he divined in Buck a dangerous rival, Spitz never lost an opportunity of showing his teeth. He even went out of his way to bully Buck, striving constantly to start the fight which could end only in the death of one or the other. Early in the trip this might have taken place had it not been for an unwonted accident. At the end of this day they made a bleak and miserable camp on the shore of Lake Le Barge. Driving snow, a wind that cut like a white-hot knife, and darkness had forced them to grope for a camping place. They could hardly have fared worse. At their backs rose a perpendicular wall of rock, and Perrault and Francois were compelled to make their fire and spread their sleeping robes on the ice of the lake itself. The tent they had discarded at Dyea in order to travel light. A few sticks of driftwood furnished them with a fire that thawed down through the ice and left them to eat supper in the dark.As early as 1923, the story was adapted to film and it has since seen several more cinematic adaptations.

I glanced up. The captain had thrust his head and shoulders out of the pilot-house, and was staring intently into the fog as though by sheer force of will he could penetrate it. His face was anxious, as was the face of my companion, who had stumped over to the rail and was gazing with a like intentness in the direction of the invisible danger. Then everything happened, and with inconceivable rapidity. The fog seemed to break away as though split by a wedge and the bow of a steamboat emerged, trailing fog-wreaths on either side like seaweed on the snout of Leviathan. I could see the pilot-house and a white-bearded man leaning partly out of it, on his elbows. He was clad in a blue uniform, and I remember noting how trim and quiet he was. His quietness, under the circumstances, was terrible. He accepted Destiny, marched hand in hand with it, and coolly measured the stroke. As he leaned there, he ran a calm and speculative eye over us, as though to determine the precise point of the collision, and took no notice whatever when our pilot, white with rage, shouted, "Now you've done it!"

A collection of Jack London stories, including When God Laughs, The Apostate, A Wicked Woman, "Just Meat", Created He Them, The Chinago, Make Westing, Semper Idem, A Nose for the King, The "Francis Spaight", A Curious Fragment, and A Piece of Steak.. Jack London (1876-1916), an American novelist and short-story writer whose works deal romantically with elemental struggles for survival. At his peak, he was the highest paid and the most popular of all living writers. Because of early financial difficulties, he was largely self educated past grammar school. London draws heavily on his life experiences in his writing. He spent time in the Klondike during the Gold Rush and at various times was an oyster pirate, a seaman, a sealer, and a hobo. His first work was published in 1898. From there he went on to write such American classics as Call of the Wild, Sea Wolf, and White Fang. "Jack London is at his best - that peculiar best which is inimitable... Nothing is more important to note, however, than the soundness of the psychology of all these stories. They are made out of the deep fibre of humanity. By command over such material does Jack London hold his place in our literature. By command over the knack of clearly flowing, acid-biting English that often takes rich color." - Boston Transcript

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - John Claverhouse was a moon-faced man. You know the kind, cheek-bones wide apart, chin and forehead melting into the cheeks to complete the perfect round, and the nose, broad and pudgy, equidistant from the circumference, flattened against the very centre of the face like a dough-ball upon the ceiling. Perhaps that is why I hated him, for truly he had become an offense to my eyes, and I believed the earth to be cumbered with his presence. Perhaps my mother may have been superstitious of the moon and looked upon it over the wrong shoulder at the wrong time. Be that as it may, I hated John Claverhouse. Not that he had done me what society would consider a wrong or an ill turn. Far from it. The evil was of a deeper, subtler sort; so elusive, so intangible, as to defy clear, definite analysis in words. We all experience such things at some period in our lives. For the first time we see a certain individual, one who the very instant before we did not dream existed; and yet, at the first moment of meeting, we say: "I do not like that man." Why do we not like him? Ah, we do not know why; we know only that we do not. We have taken a dislike, that is all. And so I with John Claverhouse.

In Michael, Brother of Jerry, Jack London continues his exploration of the bond between humans and animals through the story of Michael, a loyal and intelligent terrier. As he navigates the harsh realities of life, including exploitation and cruelty in the world of show business, Michael's resilience and spirit shine through. Set against vivid backdrops and infused with London's passion for animal rights, this novel offers a poignant commentary on humanity's treatment of animals and the enduring strength of their companionship.

An action-filled story of the Yukon Territory in 1893, the surging novel of the men who gambled their lives and opened the vast Canadian North in their lust for gold, Burning Daylight was Jack London's best selling book during his lifetime. It was filmed as a First National movie starring Milton Sills with Doris Kenyon. Jack London (1876-1916), an American novelist and short-story writer whose works deal romantically with elemental struggles for survival. At his peak, he was the highest paid and the most popular of all living writers. Because of early financial difficulties, he was largely self educated past grammar school. London draws heavily on his life experiences in his writing. He spent time in the Klondike during the Gold Rush and at various times was an oyster pirate, a seaman, a sealer, and a hobo. His first work was published in 1898. From there he went on to write such American classics as Call of the Wild, Sea Wolf, and White Fang.

Project X Origins Graphic Texts can help children to reach higher standards in comprehension. Buck is a domestic dog born into a comfortable life. However, when he is stolen and sent to Alaska, he must endure the harsh life of a working sled dog. In the battle for survival, will Buck make it through? And will he answer the call?

This book recounts Jack London photographer beautifully juxtaposing his worldwide famous literature with his incredible photographs.

Buck recognised the wild brother. He was whining softly, and they touched noses. A second wolf, old and battle-scarred, came forward and sniffed noses with him; he sat down, pointed his nose at the moon, and broke out in a long wolf howl. Buck, too, sat down and howled.

White Fang is the story of a half dog, half wolf. It is told from White Fang's point of view as he learns to fend for himself and interact with other animals and with humans. His story is one of survival. TreeTops Classics are adapted and abridged versions of classic stories to enrich and extend children's reading experiences.

The Sea Wolf is Jack London's powerful and gripping saga of Humphrey Van Weyden, captured by a seal-hunting ship and now an unwilling sailor under its dreaded captain, Wolf Larsen. The men who sailed with Larsen were treacherous outcasts, but the captain himself was the legendary Sea Wolf-a violent brute of a man.Jack London was a worshipper of the strong and virtuous hero, and a firm believer in the inevitable triumph of good. The master storyteller nowhere demonstrates this theme more vividly than in this classic American tale of peril and adventure, good and evil.

The Call of the Wild is a classic of young adult literature. This edition provides information on the work's literary and cultural backgrounds. It is about Buck, a big mongrel who is shipped from his comfortable life in California to Alaska, where he must adapt to the harsh life of a sled dog during the Klondike Gold Rush.

Features works by Jack London and lays out the social, economic, and political contexts for his writings.

Describes the author's around the world attempt by sail, which was inspired by the examples of his heroes Herman Melville, Robert Louis Stevenson, and Joshua Slocum.

In this 1903 publication, which influenced later socially minded authors like George Orwell, American writer Jack London (1876-1916) examines the living conditions of the impoverished residents of London's East End, demonstrating how politics had failed the vulnerable. The text is illustrated with photographs of the places and people mentioned.