To test further the implications of his hypothesis, Cope turns to two unsettled points in Miltonic exegesis: Milton's muse and the dialogue in Heaven.
Modern vernacular comedy took shape in early sixteenth-century Italy with the many plays adapted from and modeled on Plautine New Comedy. This work demonstrates how Italian dramatists reacted to the wide success of this genre with a counterparadigm, a comedy that exploits secrecy as form. It examines this major development in Italian theater.
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