The Meno, one of the most widely read of the Platonic dialogues, is seen afresh in this original interpretation that explores the dialogue as a theatrical presentation. Just as Socrates's listeners would have questioned and examined their own thinking in response to the presentation, so, Klein shows, should modern readers become involved in the drama of the dialogue.
Includes contributions by scholars working in the phenomenological tradition, together with English translations of texts and documents whose phenomenological relevance transcends their considerable historical significance.
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