Redefines American modernist poetry in light of developments in modern painting, particularly cubism. This work places the poetry of well-known modernists such as Pound, Eliot, and Williams alongside the harder-to-find work of important experimentalists such as Mina Loy, Louis Zukofsky, Gertrude Stein, and George Oppen.
The poems in this work examine a variety of cultural, natural and personal damages in a lyrical voice ironically marked by intense beauty. This disjunction is what makes the volume so disturbing and yet so tantalizing.
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