Böcker av James Earl Hardy

1994. Years before "homo thug" and "down low" became infamous catchphrases, Omar Little put the "G" in Gangsta on HBO's The Wire, and Lil Nas X became a global pop star ... there was B-BOY BLUES. Revisit or experience for the first time the story that ushered in the Africentric gay fiction genre, and put Black-on-Black male love on both the map and the bestseller lists!SYNOPSIS: Mitchell Crawford always wished, hoped, and dreamed for a RUFFNECK - a hip-hop-lovin', street-struttin', cool posin', crazy crotch-grabbin' brotha. And he finally finds one in Raheim Rivers, who is a vision of lust: six feet tall and 215 pounds of mocha-chocolate muscle. Mitchell knows Raheim will take him for a walk on the wild side. But he doesn't count on getting behind Raheim's mask - and finding someone he can love.Praise for B-Boy Blues: "Hardy has successfully crafted the first gay hip hop love story. It sexily sizzles off the page."- E. Lynn Harris"Not since Terry McMillan's Disappearing Acts has it felt so good to be loved so bad. Grade: A-."- Entertainment Weekly"Hardy proves that Black love is just as dizzying and gratifying when boy meets boy." - Vibe"A masterpiece of both Black and gay literature." - BooklistCover image: Alyxandria Fabrega @artbyalyxCover models: Timothy Richardson & Thomas Mackie aka Mitchell & Raheim from @bboybluesthefilm (currently streaming on @betplus)Cover design: Tony Dobson @hallsongraphics

Do men and monogamy mix? It's not a question Mitchell "Little Bit" Crawford gave much thought to until his beaufriend of almost two years, Raheim "Pooquie" Rivers, an All-American jeans model, heads to Hollywood to make his first feature film. As Mitchell soon discovers, the temptation to cheat is very real . . . and it seems to be everywhere. An ex even pops up hoping to pick up where they left -- and got -- off. While intrigued, Mitchell chalks all the attention up to "the married man" syndrome: one is much more desirable when he's attached to someone else.But as he continues to run into bisexual musician Montgomery "Montee" Simms, the look-but-don't-touch rule is put to the test. As he and Montee get closer, Mitchell's idealistic beliefs about commitment are challenged. Will he love the one he's with because he can't be with the one he loves?

In this final chapter in James Earl Hardy's groundbreaking B-Boy Blues series, Mitchell "Little Bit" Crawford and Raheim "Pooquie" Rivers are all grown up. Mitchell is a stay-at-home dad renovating his dream house, writing, and raising his godson and half-sister in Brooklyn's up-and-coming Fort Greene neighborhood. He's fairly happy, but he can't help feeling that something -- or someone -- is missing from his life.Fresh from rehab for a gambling addiction, Raheim has a new lease on life, but it's precarious -- his career as an actor has stalled, he hasn't seen his son in years, and the short-lived sexual trysts that punctuated his life no longer satisfy him. Hell-bent on change, Raheim has finally figured out who he wants to be with forever. But will Mitchell give Raheim the second chance he so desperately wants?