Böcker av James Graham

Investigates the relation between land and nationalism in South African and Zimbabwean fiction from the 1960s. By employing a range of critical perspectives - cultural materialist, feminist and ecocritical - this book offers fresh ways of thinking about the relationship between literature, politics and the environment in Southern Africa.

At head of title: A Paines Plough and Theatre Royal Plymouth Production.

Labour MP David Lyons cares about modernisation and "electability"... his constituency agent, Jean Whittaker cares about principles and her community. Set away from the Westminster bubble in the party's traditional northern heartlands, this is a clash of philosophy, culture and class against the backdrop of the Labour Party over 25 years, as it moves from Kinnock through Blair into Corbyn... and beyond?This razor-sharp political comedy from James Graham was produced by Michael Grandage Company and Headlong and received its world Premiere at the Noël Coward Theatre in September 2017.

Features blackly humorous drama of Einstein's tortured conscience. This book is a thought-provoking drama addressing issues of 'yob' culture and the effects of bullying. It commemorates the World Year of Physics, the 60th anniversary of the bombing of Hiroshima and Nagasaki, and the 50th anniversary of Einstein's death.

Every once in a while a story is told that, at least for a moment, changes the way you look at life. Finding Life is that story. It is an ageless and timeless tale of a glorious life destroyed by an unforgivable mistake, and the small miracles that turn the impossible into hope. After buying into the ways of the world, Chance Gordon commits an unspeakable sin - one that destroys the souls of himself and the love of his life. Buried deep in a sinking depression that isolates him from the world, it takes the small miracles of a faithful Grandfather, a desperate friend, and an innocent child to bring hope and an impossible journey to find life in the ashes.

The election and inauguration of Donald J. Trump as the president of the United States of America have provoked an unprecedented intensity of reflection in virtually all academic disciplines. The professions of architecture and planning, faced with the phenomenon of a self-proclaimed "builder-in-chief," have found themselves facing a series of fundamental questions, both old and new. How should we think, teach, and practice under a developer presidency? What sort of walls will we and won't we choose to build? What are our commitments of critical thought, and what obligations should we turn our energies toward?The essays gathered in And Now explore the nature of architecture's many long-standing complicities. Architecture coordinates colossal expenditures (of material, of energy); it scripts forms of labor (in its construction, in its operation, and in the programs it houses); and it is both a repository and generator of capital. Architecture participates, centrally, in defining modes of life, whether for the privileged or the dispossessed¿designing and building the boundaries between the "haves" and the "have-nots." This fundamental reality of architectural practice need not inspire either nihilism or defensiveness but should rather be understood, quite simply, as the terrain we navigate. Naming these complicities and the injustices they perpetuate is a first step toward addressing them.

The second collection of plays from eminent playwright James Graham, bringing together four of his state-of-the-nation plays.The volume includes the following plays, alongside an introduction by the author:This House (2012) explores Westminster and the 1974 hung parliament through a combination of wit and waspish dialogue, comedy and political comment, and historical and contemporary concerns.The Angry Brigade (2014) takes a look at the story behind the Angry Brigade - a British anarchist group who carried out a series of bomb attacks between 1970 and 1972.The Vote (2015) looks at what happens in Britain on election night through the eyes of those at the polling station. Set in a fictional London polling station, Graham's play dramatises the final ninety minutes before the polls close in the 2015 general election.Monster Raving Loony (2016) explores the life and exploits of Screaming Lord Sutch to examine the state of the nation and Britain's post-war identity crisis. It tells the story of Sutch through a cavalcade of comic characters from music hall to Monty Python, panto to Partridge.

I just remember, even as a, as a young . . . man, not even man, just a boy . . . when nothing makes sense, and you're not sure who you are . . . the idea of - the strength of the person that stands alone, carves their own path . . . of it not being who you are or where you're from but what you do.Sam, a working-class northern lad, is a Tory researcher working in the office of an education minister. His colleagues know that he's gay, but aware of his career prospects as a possible future MP, he prefers to keep it under wraps, much to the dismay of his Labour opposite number, James, who is trying to keen to have a relationship with him. Has Sam got any chance of rising through the Tory ranks if he comes out of the closet completely? Discovering that he is working in the same office in which Ted Heath originally began his career inspires Sam to research the man and the rumours about his sexuality. Through juxtaposing two careers - Ted Heath's and that of the young, modern Tory researcher - Graham questions whether sexuality matters in today's political world and, if it does, then why.Tory Boyz was first performed by the National Youth Theatre Company at Soho Theatre, London, on 21 July 2008. This edition contains the updated script from 2013 as well as an introduction by Anthony Banks, director and Associate Director for National Theatre Learning.

Edited and introduced by leading cultural and theatre critic Aleks Sierz, this bold and urgent collection of contemporary plays by England's newest and most relevant young writers explores the various cultures and identities of a nation that is at once traditional, nationalistic and multicultural. Eden's Empire, by James Graham is an uncompromising political thriller exploring the events of the Suez Crisis, and the tragic story of its flawed hero - Churchill's golden boy and heir apparent, Anthony Eden. Alaska, by D. C. Moore features Frank, an ordinary bloke who likes smoking, history and playing House of the Dead 3. He can put up with his job on a cinema kiosk until a new supervisor arrives who is younger than him. And Asian. A Day at the Racists, by Anders Lustgarten is a timely examination of the rise of the BNP which attempts to understand why people might be drawn to the BNP and diagnoses the deeper cause of that attraction.Shades, by Alia Bano shows Sabrina, a single girl-about-town, who is seeking Mr Right in a world where traditional and liberal values sit side-by-side, but rarely see eye-to-eye. The Westbridge, by Rachel De-lahay begins with the accusation of a black teenager which sparks riots on South London streets. Among it all, a couple from very different backgrounds navigate the minefield between them and their disparate but coexisting neighbourhood.

This collection brings together four of Graham's most successful and entertaining plays, each representing a relationship with a theatre with which he has worked and introduced by the author. One of the plays, Sons of York, has never before been published, but earned James Graham a nomination for the Empty Space Mark Marvin Award.A History of Falling Things is a gentle love story about a young man and woman forced to confront their fears of the outside world and discover what really matters to their lives. Tory Boyz is a fast-paced, political comedy about prejudice and ambition in Westminster, looking at homosexuality in the British Conservative party, both today and in the past.As Ben, self-employed, skint and emotionally vulnerable, begins to stitch together the patchwork quilt that was the Tax Year 2009/2010, he relives a year that was both hilarious and tragic, all mixed up in one shoe box of receipts. The Man is an affectionate and funny portrait of an individual's year-long experience, pieced together from receipts, shopping and commercial transactions. The Whisky Taster is a contemporary, subtle and witty exploration of feeling and perception in the modern world of advertising, and about seeing things too clearly in a city that never stands still. Sons of York Described as 'undoubtedly one of the best new plays of the year' (British Theatre Guide), Sons of York depicts three generations of the same family moving in together in Hull as the Winter of Discontent of 1978 builds up.

A History of Falling Things is a gentle love story about a young man and woman forced to confront their fears of the outside world and discover what really matters to their lives.

A new, uncompromising political thriller exploring with electrifying theatricality the events of the Suez Crisis, and the tragic story of its flawed hero - Churchill's golden boy and heir apparent, Anthony Eden.