A fresh look at the work and its composer with implications beyond Sibelius himself into the entire repertory of Post-Wagnerian symphonic composition.
Selected from writings from 1984 to 2008, this collection of essays provides an introduction to the author's some of the most innovative and influential work on a wide variety of topics: musicological methodology, issues of staging and performance, Italian opera, program music, and exemplary studies of individual pieces.
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