Drawing together contributions from leading international scholars, this book conceptualizes the history and theory of cinema's century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus.
"This critical history examines the work of zoological and science film pioneers Jean Painlevae and Geneviaeve Hamon from 1924-1949, illuminating the significant contributions that their wildlife cinema made to philosophical and political thought"--
Drawing together contributions from leading international scholars, this book conceptualizes the history and theory of cinema's century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus.
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