Böcker av James Patrick

Everyone has an imagination, but how many of us can say we use it to its full potential? Not only Ibn Arabi, the "greatest Shaykh" of Sufism, but poets and mystics in every age have developed their imagination to the point where they can apprehend a silence that speaks in symbol and a dynamic stillness that can transform the world. This journey starts from where we are as novice meditators in a bustling, distracted world and guides us into the mystical imagination with twelve short discussions, each illustrated by accessible, memorable poems. With creative challenges in each chapter, you can chart your own exploration by writing a poem, painting a picture, or making a piece of music using the suggestions as a starting point. Stops along the route of this armchair pilgrimage include dreams, alchemists, Sufi stories, bardo states, angels, synchronicities, prophecies, a mermaid, and a well-known crucifixion. This book is for seekers, yogis, and believers of all traditions and at all stages, as well as those who simply want to better connect with their creative imagination.

Michelle is back, she has her own crew, and she's making her own rules. Unfortunately, her tendency for getting into hot water still remains, and her involvement in that now-infamous job in Florida, known as the Kaiju Score, is haunting her in many different ways. It's about to put her on a collision course with a new job, new characters, and - of course - new monsters. The second volume of the critically acclaimed, best-selling KAIJU SCORE (optioned-by-Sony Pictures) is here, and just like last time, not everyone will get out alive. Written by James Patrick (CAMPISI: THE DRAGON INCIDENT, Grimm Fairy Tales, Death Comes to Dillinger, The Monsters of Jimmy Crumb) and illustrated by Rem Broo (The End Times of Bram and Ben, Terminal Protocol), KAIJU SCORE: STEAL FROM THE GODS takes the crazy of the first volume to new heights of WTF!

The third and final installment of the Church history 'adventure series', here we meet Augustine and Benedict and see the development of monastic Europe.

The case of Robert Ben Rhoades is one of the most disturbing you will ever encounter, highlighting gaps in the justice system any killer could drive a truck through...The Cold Case Foundation's Director of Intelligence, James Patrick, explores the horrifying case of the "e;Truck Stop Killer."e; Calling on profilers, forensics experts, and psychologists from the Foundation team, he sets out to examine this overlooked case and identify the opportunities to prevent similar crimes from happening in future.Broken Roads expands upon the first season of Out Of The Cold, the flagship podcast from the Cold Case Live project, and 45% of the net profits from this book go directly to the Foundation, supporting live casework. The women and girls found on America's highways aren't ghosts, they are the reasons we must all do better.

Evangelists of Art: Picture-Sermons for Children , is many of the old books which have been considered important throughout the human history. They are now extremely scarce and very expensive antique. So that this work is never forgotten we republish these books in high quality, using the original text and artwork so that they can be preserved for the present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Dr. James Patrick has spent his life teaching, and in this book he seeks to tell on a larger scale the story of the Christian mind as it developed according to what he refers to as the "adventure" of the Holy Spirit. Indeed, the Christian mind moved from faithful intuition to writing and composing original ideas of concrete truths, and this in turn led to inspired foundations upon which a new kind of world became possible. Patrick does not wish the reader to think the Christian mind has ever intended to create utopia on earth or to proselytize, rather that the dynamic Christian intellect indicates a human heart made new and from this newness still spring horizons of hope and culture. This is not a history of dogma or systematic account of the building of doctrine. It is a narrative that follows the major moments wherein the Christian heart so in tune with the Paraclete has rendered the seminal texts and literature of this new culture, from the Didache to the Rule of Saint Benedict and The Consolation of Philosophy. Patrick succeeds in presenting a narrative that reads more like the experience lived by those directly involved in its realization, and although he cannot include every individual accomplishment of the major Christian writers, he illuminates the context in which Christianity was born and how faith grew and allowed itself to be shaped by its participation in the "adventure" and its grasp of objective truth. The Christian mind is, says Patrick, not only inspired and moved by the restless Paraclete, but revolves around the event of Jesus Christ. Christian history is therefore best understood not simply as chronology of events but as the vision of "the new heart in time," one that strives to be like that of the one who sent the Spirit into history. Patrick writes with a voice of a teacher, and although this work is very well referenced and accurate he does not intend this work to be a scholarly presentation of data and careful arguments, nor does he include every aspect of this intellectual faith journey of Christianity found in writing. As a comprehensive review, Patrick acknowledges the limitations of his own project to tell a complete story. Nevertheless, The Making of the Christian Mind accomplishes the no less formidable feat of illustrating the vivacious quality of the authentic Christian intellectual life. "Christianity is a survivor, not because it possessed the instruments of power but because, as Jesus of Nazareth said before Pilate, the foundation of the Kingdom is truth, its instruments of conquest are its renewing gifts, its consequences are the substitution of truth for error and ignorance, of faith for skepticism, humility for pride, and of charity and friendship for emulation, all this realized never perfectly but always as possibilities having the power to make all things new." This work is divided into three volumes, of which the present work is the first. Highlights of this first volume, The Waiting World, include following revelation as it first moved uncertain hearts to write and then to offer explicit witness. In this first installment, Patrick sets the groundwork for following the faith and history of Israel to Justin Martyr's great claim that what is true belongs to Christians.

Sonny Campisi is a small-time fixer for the mob-controlled neighborhood of Green Village. If you don''t pay your gambling debt, he''ll come and collect. If you get a little rough with one of "the girls,ΓÇ¥ he gets a little rough with you. But when a dragon flies into town and Sonny is the one who''s tasked with getting rid of it, it''s a problem unlike any he''s ever faced, and a chain of events begins that will affect everyone who lives in that neighborhood. Especially Sonny. A new graphic novel by James Patrick, the writer of KAIJU SCORE, and breakout artist Marco Locati, CAMPISI: THE DRAGON INCIDENT is a genre-mashing comedy-thriller that plays like one part Get Shorty, one-part Dragonslayer, and all parts absurdly wonderful!

It's the most dangerous heist ever attempted. Four desperate criminals are going all in on a once-in-a-lifetime chance to steal millions in art and turn their miserable lives around. The catch? They have to pull it off under the nose of a one thousand-ton Kaiju. And a giant monster might just be the least of their problems. Brought to you by James Patrick (Grimm Fairy Tales, Death Comes to Dillinger, The Monsters of Jimmy Crumb) and Rem Broo (The End Times of Bram and Ben, Terminal Protocol), THE KAIJU SCORE is what happens when a Quentin Tarantino film takes place smack in the middle of a Godzilla movie. Film rights acquired by Sony Pictures!

This book is a reading of the text of the Gospel of John in light of a tradition of Johannine authorship represented by the Muratorian Fragment, Papias of Hierapolis, and the Anti-Marcionite Prologue, all which are taken to reflect the influence of a common tradition represented by Jerome, Clement of Alexandria, and Victorinus of Pettau.