Böcker av James Sallis

Seven years have passed since Driver ended his campaign against those who double-crossed him. He has left the old life, become Paul West and founded a successful business back in Phoenix....

The new collection of weird and intriguing tales from the author of DRIVE which reflect on his deep respect for classic science fiction, fantasy, and crime fiction.

Under the wise gaze of 'The Butterfly Witch' by Melissa Mary Duncan, this issue promises at least two sides to every story.Siblings work through past hurts and begin new journeys in 'Old Gifts' by feature author James Sallis and 'Can-on-a-String' by Alex Kitt. Meanwhile, zombies do double duty in 'Ambience' by Jason P Burnham and 'Caught Dead' by Shawn L Bird. We navigate new lands with Pete Barnstrom in 'Oeufs Dangereux' and Cheryl Skory Suma in 'Adrift off the Shore of Alzheimer Island'. And Anna Zumbro in 'The Dump 'Em Dog' and Mikael Lopez and Enrico Orlandi in 'Forgive My Delay' remind us that, no matter the world in which we live, breaking up is hard to do. Next, triple your literary delight with historical fiction: 'The Shepherdess: Grandmère Paris' by JM Landels, 'Pretty Lies: I Can See for Miles' by Mel Anastasiou, and 'Once Upon a Time in Camelot' by GD Litke. Three's the charm for poetry too, with our Magpie Award winners Cara Waterfall's 'griefbody' and 'Harvest' and Kevin Spenst's 'BigGermanDialectWordClankinglyInsertedHere!'.

A man travels alone to an island. There he reflects on his life as an artist - a writer - and on the women he has loved. Soon the reader realizes that this man is on the edge of sanity, and his review of his life is his attempt to retain what he can of sanity and meaning. Renderings is a novel written so tightly that no air escapes and no impurity seeps in.

Ain't Long Fore Day are poems that carry on in the spirit of the blues. With music and enigma, James Sallis delivers lyrical and narrative poems steeped in the beauty of the every day.

Presents the history and development of the guitar as a jazz instrument. This volume traces the evolution of jazz guitar playing, from the pioneering styles of Nick Lucas and Eddie Lang through the innovations of such contemporary masters as Jim Hall and Ralph Towner.

The guitar and American music are inexorably intertwined. In this book, the author notes that 'American music was built on the backs of black slaves'. It shows how folk music and a cross-fertilization of traditions and techniques resulted in blues, ragtime, jazz, rock 'n' roll, and country-western.