Böcker av James Treadwell

This bestselling text is an essential primer for undergraduate students in Criminology, mapping out key course content and offering helpful tips for both students and lecturers on making the most out of lectures and seminars.

A masterful historical crime from an author praised by the Sunday Times and the Guardian for The Infernal Riddle of Thomas Peach. This is the equally unique, witty, absorbing follow up.

From the Alcatraz East Crime Museum and Jack the Ripper guided tours to the Phnom Penh killing fields, 'dark tourism' is now a multi-million-pound global industry. Even in the most pleasant tourist destinations, underlying harms are constantly perpetuated, affecting both consumers and those who work or live around such tourist hotspots. Highlighting 50 travel destinations across six continents, expert criminologists, psychologists and historians explore the past and contemporary issues which we often disregard during our everyday leisure. This captivating book is the 'go-to' guide for anyone interested in crime and deviance-related tourism. Accessible and digestible, it exposes a worrying trend in contemporary consumer culture, in which many of us partake.

In the first textbook to cover ethnography specific to criminology, Treadwell guides readers through the ethnographic research process in full, starting with a background to criminological ethnography, through planning and doing an ethnographic project, and finally, the writing up and reporting stage.

What do Wagner's operas really mean? How much room do they leave for different perspectives? In this study, focusing on Wagner's music, dramas and prose writings, James Treadwell lays open the rich possibilities for interpretation offered across the full range of Wagner's art.

All the men are dead - now it's the boys' turn. On a tiny archipelago, cut off from the rest of the world by a cursed sea, a handful of survivors live a precarious existence, clinging to their memories of the time before magic and their hope that those times will return.As far as he knows, Rory is the only boy left.Then the man comes, weaving his tales of a quest to find a powerful ring, and Rory finds himself embarking on a journey through terrors and marvels, once more in the world of men.And the moment of reckoning, when it comes, will bring an end to stories unimaginably older than his own.

What did autobiography mean to Romantic readers and writers? How do autobiographical texts of the period reflect, express, and negotiate these conditions? Answering these questions and more, this book examines a variety of Romantic texts, with single chapters devoted to works by Coleridge, Byron, and Lamb.

For centuries it has been locked away Lost beneath the sea Warded from earth, air, water, fire, spirits, thought and sight. But now magic is rising to the world once more. And a boy called Gavin, who thinks only that he is a city kid with parents who hate him, and knows only that he sees things no one else will believe, is boarding a train, alone, to Cornwall. When he arrives, there is no one there to meet him.