Constitutes an original intervention into longstanding but insistently relevant debates around the significance of notions of 'performativity' to the critical analysis of early modern drama - particularly that of Jonson and Shakespeare.
Offers an account of critical debates around the idea of performativity. This work also traces the history of the concept through the work of influential theorists. It examines the implications of performativity for fields such as literary and cultural theory, philosophy, performance studies, and the theory of gender and sexuality.
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