Ademar de Chabannes, well known in literary circles as a historian and homilist in early eleventh-century Aquitaine, was also active as a musician at the abbey of Saint Martial in Limoges. This book analyses the full range of Ademar's musical activities, as scribe, editor, composer and singer.
This is the first book to provide an introduction to music editing, including the history of the field, and the issues and problems encountered.
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