Examines a wide array of African American novels written during the last half of the twentieth century, demonstrating that religious vision not only informs black literature but also serves as a foundation for black culture generally.
Offers the first comprehensive study of John Edgar Wideman and his novels, and shows him to be a writer emerging as a major figure in black and American literature. It shows him too as a writer whose progress has been to move away from such modernist masters as Eliot, Faulkner, and Joyce into the rich world of black culture, while retaining modernist techniques.
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