Böcker av James Ward

NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERSColour Decoration Of Architecture: Treating On Colour And Decoration Of The Interiors And Exteriors Of Buildings. With Historical Notices Of The Art And Practice Of Colour Decoration In Italy, France, Germany And England. For The Use Of Decorators And StudentsThis book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Hannah and Soraya are in the business of making rock music with a social conscience. The way Britain currently works, that means they're 'snowflakes', 'social justice warriors', 'virtue signallers'. They've learned to live with the mudslinging, but not happily.Worse than that. It's starting to overwhelm them.Then, out of the blue, they suffer a string of personal and professional crises. Their solution? A change of scene designed to: (1) keep the lid on a looming family cataclysm, and (2) draw artistic inspiration from the pre-musical roots of rock (but without the Beats' misogyny, plus in an eco-friendly car).Hannah and Soraya's Fully Magic Generation-Y *Snowflake* Road Trip across America is a story about the value of family, friendship, left against right, the siren call of social media, celebrity vs. anonymity, creative integrity, true love, drugs & alcohol, literature, sexuality, the 'special relationship', what it means to be a millennial, what kind of world Generation Y is set to inherit.Amongst other things.

The book "" Colour Decoration of Architecture "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Something's not right aboard the cruise ship Aurora. Yet that's probably what you would think when you're with the girl you love and everyone else is about fifty years your senior. You're three thousand miles from home, young, and high on emotion. Maybe it just ratchets up the sense of adventure. And yet perhaps something really is wrong. There's the passenger everyone thought was dead, but who reappears one evening in the lounge without comment or explanation.And eighty-year-old Celia Soper who reads Tarot cards, but only for 'the history of the world' ... whatever that means.And then, of course, the disappearances. Which, apparently, only you two have noticed.Above all, there are the bright fish, creatures the size of dolphins that materialise unexpectedly, at intervals, alongside the hull, glowing with indescribable colours. And which never seem to inspire the sort of delight one might expect. The Bright Fish deals with the meaning of love, and life, and ultimately, death. Are we always essentially alone, or is true interdependency possible? Is death our beginning or end? Or both?Conversely, is the truth stranger than we can possibly imagine?