Is Bob Marley the only third world superstar? How did he achieve this unique status? This study sheds fresh light on issues such as Marley's contribution as a musician and public intellectual, how he was granted access to the global media system, and what his music means in cultural and political terms.
Black British musicians have been making jazz since around 1920. This book reveals their hidden history and major contribution to the development of jazz in the UK. The chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race.
Drawing on a wide range of theoretical positions, as well as examining musical texts from twentieth-century pop,this groundbreaking book develops a powerful case for the importance of production in contemporary culture. Students of cultural and media studies, music and the performing arts will find this book an invaluable resource.
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