George Balanchine, one of the twentieth century's foremost choreographers, strove to make music visible through dance. In The Art of Gravity, Jay Rogoff extends this alchemy into poetry, discovering in dancing the secret rhythms of our imaginations and the patterns of our lives.
In lyric poetry with the dramatic sweep of a historical novel, Jay Rogoff's Enamel Eyes, a Fantasia on Paris, 1870 reimagines "the terrible year" when the Franco-Prussian War shook the City of Lights. Using multiple voices and poetic forms, Rogoff skilfully recreates the wonder and horror of these months of siege.
The poems in Jay Rogoff's Venera explore varieties of love, both sacred and profane, by drawing from the natural world, personal intimacy, and the human imagination as evoked in biblical narratives and art.
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