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Böcker av Jean Eugene Robert-Houdin

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  • av Jean Eugene Robert-Houdin
    476,-

    This book is a classic treatise on magic and stage conjuring, written by the father of modern conjuring, Jean Eugene Robert-Houdin. The book is a must-read for anyone interested in the world of magic and includes detailed instructions on a wide range of tricks and illusions. It is a fascinating glimpse into the world of 19th century entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Jean Eugene Robert-Houdin
    376 - 530,-

  • av Jean Eugene Robert-Houdin
    610,-

    Jean Eugene Robert-Houdin (1805-71) is often called the father of modern conjuring. His name was later adopted by magician and escape artist Harry Houdini, whose highly sceptical expose of Victorian spiritualism is also published in this series. The best-known magician of his time, Robert-Houdin toured France, England and Germany, performed for Queen Victoria, and was sent to French Algeria by Napoleon III to demonstrate the perceived superiority of French magic to the local shamans. This book, originally published in 1868, is devoted primarily to coin and card tricks, but Robert-Houdin also describes many other magical tricks and includes a history of conjuring. In 1877 the book appeared in this English translation by Louis Hoffmann (1839-1919). Hoffmann (real name Angelo John Lewis, a barrister) had published his own guide to magic in 1876, and both books caused controversy for revealing the secrets of stage magicians in such unprecedented detail.

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