Jennifer Bajorek traces the relationship between photography and decolonial politics in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960, showing how photography both reflected and actively contributed to social and political change.
Counterfeit Capital is a comparative and interdisciplinary study exploring the unexpected yet essential relationship between irony and capital in the texts of Baudelaire and Marx and arguing for the renewed relevance of their work to contemporary thinking about the place of aesthetic and cultural experience in social and political life.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
