This ethnography examines the manner in which native and immigrant citizens of Kodaira, a Tokyo suburb, have restructured the past and imagined the future of their city in a quest for an "authentic" Japanese community.
The all-female Takarazuka Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. This book traces the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period.
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